The Locked Door

Joel Allegretti
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引用次数: 0

Abstract

The door to the room next to my bedroom when I was grow - ing up was always locked. It was the only door in the house that locked from the outside. Not once did I see Mom or Dad-or anyone else-open it. I must have been six or seven when I first asked what was on the other side. "A room" was the flippant response. I persisted, and the answer was a parental cliche: "We'll tell you when you're older."We lived in central New Jersey, a stone's throw from Cranbury, a town whose history dates back to colonial days. I was an only child, unusual for a family in the nineteen-fifties, especially one that was Italian-American. The window of my second-floor bedroom looked out onto our backyard and the woods behind it. The scenery was serene and destined for elegiac recollections a half century later. My attention, however, didn't fall on summer's luxuriant foliage or winter's quilts of snow, but on the mysterious room to the right of mine.I remember-maybe I was ten-trying to turn the doorknob and suddenly feeling Dad's Golden Glove-boxer grip on my left shoulder. Startled, I winced and spun around. How had I not heard his approach? Dad shook his head and with an extended arm pointed to my room. He seemed at that moment to have grown much taller. I returned to the security of my model airplanes and science-fiction magazines.After Mom's broiled swordfish steak and buttered rice one Friday night, Dad took me to see a new movie, Psycho. The outing was a reward for my latest report card: three As, two Bs, and three Cs, but for the first time the Cs weren't grades, but letters in our last name. Despite Dad's multiple inquiries, Mom decided to stay home and read Hawaii. James Michener's latest novel aside, she disliked suspense films and certainly didn't care to see one with that morbid title. Mom wasn't convinced it was appropriate for me, but Dad replied, "Joey's thirteen," as if my age alone validated his decision. He later could assure her I wasn't the only boy in the theater.It takes little to function as a match against the striking surface of an adolescent's imagination. When my two real eyes saw the decomposed and skeletal Mrs. Bates, my mind's eye saw an imagined interior. A mummified body was roped to a chair, hollow eyed and emaciated, dressed in outdated clothes, and facing the window with the never-opened curtain. But whose body was it? Both sets of grandparents were alive and a happy part of my life. I had aunts and uncles and cousins-Mom's family was larger, so her side supplied the greater share-so my fevered, newly teenaged brain came to three conclusions in the two-dimensional presence of Anthony Perkins in deranged drag: There was a lost family member who died before I was born, the room I never saw was a mausoleum for that person, and every morning I awoke only a few feet from a corpse.At lunch the next day, I sat at the kitchen table dipping my grilled American cheese in a dollop of ketchup. As she poured me a glass of milk, I asked Mom if there was a dead relative she and Dad didn't want me to know about. I thought she was going to drop the milk bottle. She raced out of the kitchen, bottle in hand. She hollered to Dad, who was in the cellar, "You had to take him to that horrid movie. You wouldn't believe the question your son just asked me."While Mom and Dad were at the Gallaghers' annual Christmas party two houses away, Sean and John, the Gallagher twins, kept me company. We grew up together. They were seven months older than I, which put them at age fourteen and in their freshman year of high school.I was better friends with Sean. We were Little League team - mates. He was a catcher; I played second base. John preferred to spend his time outside of school working on his ham radio, a hobby that led to a career in electrical engineering. …
锁着的门
在我长大的过程中,我卧室旁边的房间的门总是锁着的。这是房子里唯一一扇从外面锁上的门。我一次也没看到妈妈或爸爸——或任何其他人——打开它。当我第一次问另一边是什么时,我大概六、七岁。“一个房间”是轻率的回答。我继续追问,得到的答案是父母的陈词滥调:“等你再大一点,我们会告诉你的。”我们住在新泽西州中部,离克兰伯里(Cranbury)只有一箭之遥,这个小镇的历史可以追溯到殖民时期。我是独生女,这在20世纪50年代的家庭中是不寻常的,尤其是在一个意大利裔美国人的家庭中。从我二楼卧室的窗户可以看到后院和后院后面的树林。这里的景色宁静,注定要在半个世纪后留给人们伤感的回忆。然而,我的注意力并没有落在夏天的枝繁叶茂上,也没有落在冬天的雪被上,而是落在我右边那间神秘的房间上。我记得——也许那时我十岁吧——我试着转动门把手,突然感觉到爸爸的金手套手抓住了我的左肩。我吓了一跳,畏缩了一下,转过身来。我怎么就没听到他走近呢?爸爸摇了摇头,伸出一只手臂指着我的房间。在那一刻,他似乎长高了许多。我回到了我的飞机模型和科幻杂志的安全地带。一个星期五的晚上,妈妈吃完烤剑鱼牛排和黄油米饭后,爸爸带我去看了一部新电影《惊魂记》。这次郊游是对我最新成绩单的奖励:三个a,两个b,三个c,但这是我第一次得到的“c”不是分数,而是我们姓氏中的字母。尽管爸爸多次询问,妈妈还是决定呆在家里读《夏威夷》。撇开詹姆斯·米切纳(James Michener)的最新小说不谈,她不喜欢悬疑电影,当然也不喜欢看那种有着病态标题的电影。妈妈不相信这个名字适合我,但爸爸回答说:“乔伊十三岁了。”仿佛我的年龄本身就证明了他的决定是正确的。他后来向她保证,我不是剧院里唯一的男孩。它几乎不需要什么就能起到匹配青少年想象力的作用。当我的两只真实的眼睛看到腐烂和骨骼的贝茨夫人时,我的心灵之眼看到了一个想象的内部。一具干尸被绑在椅子上,眼睛凹陷,瘦削,穿着过时的衣服,面对着从未打开过窗帘的窗户。但那是谁的尸体?祖父母都健在,这是我生命中快乐的一部分。我有阿姨、叔叔和堂兄弟——妈妈的家族比较大,所以她的家人占了我的大部分——所以,在安东尼·珀金斯精神错乱、步履蹒跚的两维空间里,我刚刚进入青春期,发烧的大脑得出了三个结论:在我出生前,有一个失踪的家庭成员去世了;我从未见过的房间是那个人的陵墓;每天早上醒来,我离尸体只有几英尺远。第二天吃午饭时,我坐在厨房的桌子旁,把烤好的美式奶酪蘸上一团番茄酱。她给我倒了一杯牛奶,我问妈妈是否有一个去世的亲戚,她和爸爸不想让我知道。我以为她要把奶瓶掉在地上了。她手里拿着瓶子跑出厨房。她对躲在地窖里的爸爸喊道:“你一定要带他去看那部可怕的电影。你不会相信你儿子刚才问我的问题。当爸爸妈妈在两个房子外的加拉格家参加一年一度的圣诞晚会时,加拉格家的双胞胎肖恩和约翰陪着我。我们一起长大。他们比我大七个月,也就是说他们十四岁,是高一的学生。我和肖恩是好朋友。我们是少年棒球联盟的队友。他是个捕手;我打二垒。约翰更喜欢在课余时间研究他的业余无线电,这个爱好让他走上了电气工程的职业生涯。…
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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