Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds

David Cooper, I. Sapiro, Laura Anderson, Sarah Hall
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Abstract

Between 2005 and 2013, film-music composer Trevor Jones donated around 1000 items relating to his film and television scores to the University of Leeds. The collection includes audio and video materials alongside associated paperwork, and some musical sketches and scores. In order to undertake research into the Trevor Jones Archive, the entire collection required digitization and cataloguing, both to facilitate navigation of the materials, and enable understanding of the relationships between them and the processes that they document. This paper considers the practicalities of working with the archive including matters relating to the digitization of a range of analogue and paper-based items, the creation of appropriate metadata and repository structures, and the prioritization of some parts of the collection over others. It is hoped that the lessons learned through this activity highlight some of the issues and considerations of working with archival audio-visual materials, and provide a roadmap for those working with similar collections.
数字化、组织和管理视听档案:利兹大学的特雷弗·琼斯档案
2005年至2013年间,电影音乐作曲家特雷弗·琼斯向利兹大学捐赠了大约1000件与他的电影和电视配乐有关的物品。收藏品包括音频和视频材料以及相关的文书工作,以及一些音乐草图和乐谱。为了对特雷弗·琼斯档案进行研究,整个收藏需要数字化和编目,既方便了材料的导航,又使人们能够理解它们之间的关系以及它们记录的过程。本文考虑了与档案馆合作的实用性,包括与一系列模拟和纸质项目的数字化有关的事项,适当的元数据和存储库结构的创建,以及馆藏中某些部分的优先级。希望通过这次活动吸取的经验教训能突出处理档案视听材料的一些问题和考虑,并为处理类似藏品的人提供一个路线图。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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