Man and Money Ready

A. Masten
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引用次数: 0

Abstract

That dancing was part of antebellum America’s rough-and-tumble world of sport is little known today, but scores of men and women made their names and livings by challenging each other to jig, hornpipe, and even ballet competitions. Jig dancers earned continental reputations as artists and athletes by matching up in scored bouts for hefty purses, silver belts, and side bets. Champion dancers gained large followings as they met in local taverns or toured circus and theater circuits. This chapter argues that challenge dancing thrived in the 1840s and 1850s because it tapped into trends and traditions popular among whites and blacks of both sexes. Challenge dancers engaged in trials of skill, combined Irish and African steps, emulated boxers, wore blackface, copied danseuses, and exploited the popular press. In the process, they transformed a local entertainment into a marketable, media-driven profession with national, and even transnational, appeal.
人与钱准备好了
舞蹈是南北战争前美国混乱的体育世界的一部分,今天很少有人知道,但许多男男女女通过在吉格舞、角笛甚至芭蕾舞比赛中相互挑战而成名和谋生。吉格舞者以艺术家和运动员的身份赢得了欧洲大陆的声誉,他们在有分数的比赛中为巨额钱包、银腰带和附带赌注而配对。冠军舞者在当地的小酒馆见面或在马戏团和剧院巡回演出时获得了大批追随者。本章认为,挑战舞之所以在19世纪40年代和50年代蓬勃发展,是因为它顺应了白人和黑人男女之间流行的趋势和传统。挑战舞者进行技巧测试,结合爱尔兰和非洲舞步,模仿拳击手,涂黑脸,模仿舞蹈演员,并利用大众媒体。在这个过程中,他们将当地的娱乐变成了一个有市场的、由媒体驱动的职业,具有全国甚至跨国的吸引力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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