Music Videos as Protest Communication: The Gezi Park Protest on YouTube

Olu Jenzen, Itır Erhart, Hande Eslen‐Ziya, Derya Güçdemir, U. Korkut, Aidan McGarry
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引用次数: 1

Abstract

This chapter explores the relevance of the protest song as political communication in the Internet era. Focusing on the prolific and diverse YouTube music video output of the Gezi Park protest of 2013, we explore how digital technologies and social media offer new opportunities for protest music to be produced and reach new audiences. We argue that the affordances of digital media and Internet platforms such as YouTube play a crucial part in the production, distribution and consumption of protest music. In the music videos, collected from Twitter, activists use a range of aesthetic and rhetorical tools such as various mash-up techniques to challenge mainstream media reporting on the protest, communicate solidarity, and express resistance to dominant political discourse.
音乐视频作为抗议传播:YouTube上的格兹公园抗议
本章探讨抗议歌曲在网络时代作为政治传播的相关性。以2013年Gezi公园抗议活动的YouTube音乐视频输出为重点,我们探讨了数字技术和社交媒体如何为抗议音乐的制作和吸引新观众提供新的机会。我们认为,数字媒体和互联网平台(如YouTube)的支持在抗议音乐的制作、发行和消费中起着至关重要的作用。在这些从推特上收集的音乐视频中,活动人士使用各种美学和修辞工具,如各种混搭技术,挑战主流媒体对抗议活动的报道,传达团结,并表达对主流政治话语的抵制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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