{"title":"Music Videos as Protest Communication: The Gezi Park Protest on YouTube","authors":"Olu Jenzen, Itır Erhart, Hande Eslen‐Ziya, Derya Güçdemir, U. Korkut, Aidan McGarry","doi":"10.5117/9789463724913_ch10","DOIUrl":null,"url":null,"abstract":"This chapter explores the relevance of the protest song as political\n communication in the Internet era. Focusing on the prolific and diverse\n YouTube music video output of the Gezi Park protest of 2013, we explore\n how digital technologies and social media offer new opportunities for\n protest music to be produced and reach new audiences. We argue that\n the affordances of digital media and Internet platforms such as YouTube\n play a crucial part in the production, distribution and consumption of\n protest music. In the music videos, collected from Twitter, activists use a\n range of aesthetic and rhetorical tools such as various mash-up techniques\n to challenge mainstream media reporting on the protest, communicate\n solidarity, and express resistance to dominant political discourse.","PeriodicalId":207980,"journal":{"name":"The Aesthetics of Global Protest","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Aesthetics of Global Protest","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463724913_ch10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
This chapter explores the relevance of the protest song as political
communication in the Internet era. Focusing on the prolific and diverse
YouTube music video output of the Gezi Park protest of 2013, we explore
how digital technologies and social media offer new opportunities for
protest music to be produced and reach new audiences. We argue that
the affordances of digital media and Internet platforms such as YouTube
play a crucial part in the production, distribution and consumption of
protest music. In the music videos, collected from Twitter, activists use a
range of aesthetic and rhetorical tools such as various mash-up techniques
to challenge mainstream media reporting on the protest, communicate
solidarity, and express resistance to dominant political discourse.