Mini Devils: Dynamics of Power in a Community of Laughter

John Wakota
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引用次数: 1

Abstract

This article examines the role of humour in Wilson Kaigalura’s novel, Mini Devils (2006) primarily because humour and laughter are among the most cherished traits of human being. Yet, what we laugh about, why, and how, are questions of serious concern. Using Susanne Reich and Mark Stein’s (2005) explication of the notion of communities of laughter, this article situates literary humour-laughter relationship within the stimuli-response framework and reads the characters as constituting a community of laughter that functions as an infrastructural site of sociability and socialisation. Drawing upon the theories of power, the article analyses the political and social aspects of humour that come in subtle ways, and yet serve major ways through which to access meanings that reveal, stabilise, or destabilise notions of power in society. This shift, from analysing humour and laughter as aesthetic devices to analysing them as deliberate political acts, can illuminate on our understanding of power dynamics and differentiation in society. The analysis shows that the characters’ performance of humour and its appreciation are goal-oriented and forms of power that are not always monopolised by particularised groups of people but can also be manipulated by all and sundry regardless of their social status in society.
迷你恶魔:笑声社区中的权力动态
这篇文章探讨了幽默在威尔逊·凯加卢拉的小说《迷你恶魔》(2006)中的作用,主要是因为幽默和笑声是人类最珍视的特征之一。然而,我们笑什么、为什么笑、怎么笑,都是值得严肃关注的问题。本文采用Susanne Reich和Mark Stein(2005)对笑共同体概念的解释,将文学幽默-笑关系置于刺激-反应框架中,并将人物视为构成一个笑共同体的角色,该共同体是社交和社会化的基础设施。根据权力理论,本文分析了幽默的政治和社会方面,这些幽默以微妙的方式出现,但却主要通过这些方式获得揭示、稳定或破坏社会权力概念的意义。从把幽默和笑声作为审美手段分析到把它们作为深思熟虑的政治行为分析,这种转变可以启发我们对权力动态和社会分化的理解。分析表明,人物幽默的表现和欣赏具有目的性,是一种权力形式,并不总是被特定群体所垄断,也可能被所有人所操纵,无论他们在社会中的地位如何。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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