Always in the Mood for Moody: Teaching History through Anne Moody’s Coming of Age in Mississippi

T. Boisseau
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引用次数: 3

Abstract

© 2015 by the board of trustees of the university of ill inois In my search for a way of teaching American history as something that truly belongs to women and to men, to the powerful as well as to those who lack power in a formal sense, as something that is not the story of white people with an unusually interesting person of color charitably thrown in for good measure, I have found several popular texts that have functioned to change the classroom conversation in substantive and foundational ways, permitting students not only to see and understand what it meant to be young, female, and poor, for instance, in another time and place, but to explain to students why and how significant historical changes occurred and occurred precisely because of what it meant to be young, female, and poor at that particular moment. While many influential writings on African American women’s autobiography and civil rights activism have shaped my thinking and form an implicit theoretical framework for this essay, the preeminent teaching text in my arsenal of those that make all the difference in my typical, large, freshman-level college survey of United States history, one I have most often taught at an open-enrollment second-tier state university, is the perennially popular civil rights era memoir first published in 1968 by Anne Moody, Coming of Age in Mississippi. Typically classified as “juvenile” or “adolescent” literature, Moody’s text has not been viewed as important for its literary features (see for instance: http://www. enotes.com/coming-age-mississippi -salem). Its very popularity—the fact that my students are always “in the mood for Moody”—and the pop cultural features of this text (not only its style but its content) offer opportunities for classroom analysis inquiry that no other text or work of literature I have assigned provides. The historical evidence that this young, rural, impoverished, black woman’s memoir brings to students’ consciousness pulls together all the political, economic, and social history about the civil rights movement as well as the biggest events and developments in the United States of the middle years of the twentieth century that I hope to explain, all the while packaging it in a compelling narrative that humanizes rural African American women as subjectsin-the-making forging historical change rather than as inert objects to whom history has happened. Most importantly, Moody’s accessible memoir allows stuAlways in the Mood for Moody: Teaching History through Anne Moody’s Coming of Age in Mississippi
总是喜欢穆迪:通过安妮·穆迪在密西西比州的成长来教授历史
在我寻找一种教授美国历史的方式的过程中,美国历史真正属于女性和男性,属于有权势的人,也属于那些在正式意义上没有权力的人,而不是白人和一个非常有趣的有色人种的故事,我发现了一些流行的文本,它们在实质性和根本性的方面改变了课堂对话,让学生不仅看到和理解在另一个时间和地点作为年轻、女性和贫穷的人意味着什么,而且向学生解释为什么以及如何发生重大的历史变化,正是因为在那个特定的时刻作为年轻、女性和贫穷的人意味着什么。虽然许多关于非裔美国妇女自传和民权运动的有影响力的著作影响了我的思想,并为本文形成了一个隐含的理论框架,但在我的典型的、大型的、大一学生水平的美国历史调查中,我最常在一所开放招生的二线州立大学教授的那些优秀的教学文本,是一部长期受欢迎的民权时代回忆录,1968年由安妮·穆迪首次出版,书名是《密西西比州的成年》。穆迪的作品通常被归类为“少年”或“青少年”文学,其文学特征并不被视为重要(例如:http://www)。enotes.com/coming-age-mississippi salem)。它非常受欢迎——事实上,我的学生总是“有穆迪的心情”——这本书的流行文化特征(不仅是它的风格,还有它的内容)为课堂分析探究提供了机会,这是我布置的其他文本或文学作品所没有的。这个年轻的,农村的,贫穷的黑人妇女的回忆录给学生们带来的历史证据把所有关于民权运动的政治,经济和社会历史以及20世纪中期美国最大的事件和发展结合在一起,我希望解释一下,同时用一种引人注目的叙事方式将其包装起来,将非洲裔美国农村妇女人性化,使她们成为推动历史变革的主体,而不是历史发生在她们身上的惰性对象。最重要的是,穆迪这本通俗易懂的回忆录让《总是为穆迪而高兴:通过安妮·穆迪在密西西比州的成长来教授历史》成为可能
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