Mapping Eastern Europe

K. Murawska‐Muthesius
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引用次数: 1

Abstract

This paper compares maps of Eastern Europe, beginning from the map of Slavic lands by Josef Pavol Šafárik of 1842, and it claims that cartographic imagery has played a significant role in the legitimisation of the region’s collective identity. It argues that the adoption the map as a tool of art history, in order to spatialise and quantify the understanding of art, cannot bypass the postmodern critique of the map. It reflects on the overlap between the approaches and methods of critical cartography and critical art history, as well as on the mutual benefits of the visual turn in cartography and of the spatial turn in art history.
绘制东欧地图
本文比较了东欧的地图,从约瑟夫·帕沃(Josef Pavol)于1842年绘制的斯拉夫土地地图Šafárik开始,并声称地图图像在该地区集体身份的合法化中发挥了重要作用。它认为,采用地图作为艺术史的工具,以空间化和量化对艺术的理解,不能绕过对地图的后现代批评。它反映了批判地图学和批判艺术史的途径和方法之间的重叠,以及地图学的视觉转向和艺术史的空间转向的相互利益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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