Photosartorial Elicitation and the Bukae of Korean Instagram

Michael W. Hurt
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Abstract

Korean Instagram is in the midst of a phenomenon involving the creation and self-marketing of alter ego identities — 'bu-kae'— that create a culture in which more specific, digital subcultures lead to the formation of real communities offline, which are a thriving part of youth culture today. The 'sub'(부) 'character'(캐) is nowadays a major mode of interacting online in South Korean social media and a clear result of digital media cultures that nowadays house different parts of identities for specific kinds of social uses through identity separation. This research uses 'photo-sartorial elicitation', a structured interaction and means of gathering social data by having a model and photographer interact around clothing in a way that reveals previously hidden or non-obvious social facts about that person or even a community. I am able to engender participation around a photographic project since photographs on Instagram are the prime social currency within digital subcultures on Instagram, with 'exchange rates'for participation in front of the camera far higher than even direct payments of fiscal currency might provide. In the end, it is only by being able to answer the questions, 'Why are you here?'and 'What do I get out of participation as a subject?'that one can gain the ability to reach into the depths of social phenomena that are otherwise largely impenetrable to the researcher’s gaze.
摄影启发与韩国Instagram的北风
韩国的Instagram正处于一种现象之中,这种现象涉及创造和自我营销另一个自我身份——“bu-kae”——这种文化创造了一种文化,在这种文化中,更具体的数字亚文化导致了线下真实社区的形成,这是当今青年文化中蓬勃发展的一部分。“潜艇”(潜艇)“性格”是当今韩国社交媒体在线互动的主要模式,也是数字媒体文化的明显结果,如今通过身份分离,将身份的不同部分容纳在特定的社交用途中。这项研究使用了“照片-服装启发”,这是一种结构化的互动和收集社会数据的方法,通过让模特和摄影师围绕服装进行互动,以一种揭示之前隐藏或不明显的关于这个人甚至一个社区的社会事实的方式。我能够激发人们对摄影项目的参与,因为Instagram上的照片是Instagram上数字亚文化中的主要社交货币,在镜头前参与的“汇率”甚至比直接支付财政货币要高得多。最后,只有能够回答这些问题,“你为什么在这里?”以及“作为主体,我从参与中得到了什么?”一个人可以获得深入社会现象的能力,否则这些现象在很大程度上是研究者无法穿透的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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