Safe Harbors and the Evolution of Music Retailing

T. Beard, George S. Ford, Michael L. Stern
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引用次数: 7

Abstract

According to the music recording industry, YouTube, one of the largest purveyors of on-demand digital music, evades paying market rates for the use of copyrighted content by exploiting the Digital Millennium Copyright Act’s “safe harbor” provisions. The source of the distortion in licensing negotiation appears to be that at any one time, there may be multiple unauthorized copies of a particular song available notwithstanding compliance with the safe harbors, suggesting that services may essentially be able to offer access to music without paying royalties and still claim safe harbor protection for infringement. The evidence appears to confirm the claim: market-based royalties for subscription-based services are about eight-times larger than that paid by YouTube. An interesting question, it seems to us, is how much revenue the recording industry loses from the distortions caused by the safe harbor provisions? Employing accepted economic modeling techniques, we simulate revenue effects from royalty rate changes on YouTube’s service. Using 2015 data, we find that that a plausible royalty rate increase could produce increased royalty revenues in the U.S. of $650 million to over one billion dollars a year. This is a sizeable effect, and lends credence to the recording industry’s complaints about YouTube’s use of the safe harbor.
安全港与音乐零售的演变
据音乐唱片行业称,YouTube是最大的点播数字音乐供应商之一,它利用《数字千年版权法案》(digital Millennium Copyright Act)的“安全港”条款,逃避为使用受版权保护的内容支付市场价格。许可谈判中扭曲的根源似乎是,在任何时候,尽管遵守了安全港协议,但可能有多首特定歌曲的未经授权的副本可供使用,这表明服务本质上可能能够在不支付版税的情况下提供音乐访问,并且仍然要求对侵权行为进行安全港保护。证据似乎证实了这一说法:基于市场的订阅服务版税比YouTube支付的版税高出约8倍。在我们看来,一个有趣的问题是,由于安全港条款造成的扭曲,唱片业损失了多少收入?采用公认的经济建模技术,我们模拟了YouTube服务版税变化对收入的影响。使用2015年的数据,我们发现,合理的版税税率提高可以使美国的版税收入每年增加6.5亿美元至10亿美元以上。这是一个相当大的影响,并为唱片业对YouTube使用安全港的抱怨提供了证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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