Works Cited

Mexican Genders, Mexican Genres Pub Date : 2014-12-31 DOI:10.2307/j.ctvh1dj2w.14

Sascha Klement

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Abstract

Ahern, J. (1997), ‘Singing the Book: Orality in the Reception of Dante’s Comedy’, in A. A. Iannucci (ed.), Dante: Contemporary Perspectives (Toronto and London), pp. 214–39. Altcappenberg, H. T. S. (ed.) (2000), Sandro Botticelli: The Drawings for Dante’s ‘Divine Comedy’ (London). Aquilecchia, G. (1979), see Villani 1979. Ardizzone, M. L. (2002), Guido Cavalcanti: The Other Middle Ages (Toronto, Buffalo and London). Armour, P. (1983), The Door of Purgatory: A Study of Multiple Symbolism in Dante’s ‘Purgatorio’ (Oxford). Armour, P. (1991), ‘Comedy and the Origins of Italian Theatre around the Time of Dante’, in J. R. Dashwood and J. E. Everson (eds.), Writers and Performers in Italian Drama from the Time of Dante to Pirandello (Lewiston, NY, Queenston, Ontario, and Lampeter), pp. 1–31. Armour, P. (1994), ‘Gold, Silver, and True Treasure: Economic Imagery in Dante’, Romance Studies 23, 7–30. Armour, P. (2001), ‘Dante’s Contrapasso: Context and Texts’, Italian Studies 55, 1–20. Ascoli, A. R. (1993), ‘The Unfi nished Author: Dante’s Rhetoric of Authority in Convivio and De vulgari eloquentia’, in R. Jacoff (ed.), The Cambridge Companion to Dante (Cambridge), pp. 45–66. Auerbach, E. (1953–4), ‘Dante’s Addresses to the Reader’, Romance Philology 7, 268–79. Augustine, St (1992), H. M. Chadwick (ed. and tr.), Confessions (Oxford). Balfour, M. (1998), ‘The Place of the Poet: Dante in Walcott’s Narrative Poetry’, in N. R. Havely (ed.), Dante’s Modern Afterlife: Reception and Response, from Blake to Heaney (London and New York), pp. 223–41. Works Cited

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作品的引用

Ahern, J. (1997), "Singing the Book：A. A. Iannucci (ed.), Dante: Contemporary Perspectives (Toronto and London), pp.Altcappenberg, H. T. S. (ed.) (2000), Sandro Botticelli: The Drawings for Dante's 'Divine Comedy' (London).Aquilecchia, G. (1979)，见 Villani 1979。Ardizzone, M. L. (2002)，《Guido Cavalcanti：另一个中世纪》（多伦多、布法罗和伦敦）。Armour, P. (1983)，《炼狱之门》：A Study of Multiple Symbolism in Dante's 'Purgatorio' (Oxford).Armour, P. (1991), 'Comedy and the Origins of Italian Theatre around the Time of Dante', in J. R. Dashwood and J. E. Everson (eds.), Writers and Performers in Italian Drama from the Time of Dante to Pirandello (Lewiston, NY, Queenston, Ontario, and Lampeter), pp.Armour, P. (1994), 'Gold, Silver, and True Treasure: Economic Imagery in Dante', Romance Studies 23, 7-30.Armour, P. (2001), "Dante's Contrapasso: Context and Texts", Italian Studies 55, 1-20.Ascoli, A. R. (1993), "The Unfi nished Author：Dante's Rhetoric of Authority in Convivio and De vulgari eloquentia", in R. Jacoff (ed.), The Cambridge Companion to Dante (Cambridge), pp.Auerbach, E. (1953-4)，《但丁对读者的讲话》，《罗曼语文学》7，268-79。圣奥古斯丁（1992 年），H. M. Chadwick（编著），《忏悔录》（牛津）。Balfour, M. (1998), "The Place of the Poet：The Place of the Poet: Dante in Walcott's Narrative Poetry", in N. R. Havely (ed.), Dante's Modern Afterlife：Reception and Response, from Blake to Heaney (London and New York), pp.引用作品

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Mexican Genders, Mexican Genres

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