Transformasi Musik Pada Ritual Tradisi Kebangru’an

Yuga Anggana Sosani
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Abstract

This paper discusses the role of artists in society as things that influence the creative process of artists in transforming works of art in the Kebangru'an ritual, as well as the form of presentation, functions and values that are ​​contained in Kebangru'an Music. The method of this research uses a qualitative research paradigm with a sociology of art study approach to find out how the role of artists in society as a matter of influencing the creative process of artists in transforming works of art in the Kebangru'an ritual, as well as the form of presentation, functions and values that are ​​contained in Kebangru'an Music. The data was collected by means of observation and in-depth interviews. The observations are carried out by observing various actions that are patterned and reflected the thinking system of the Kebangru'an Music artist which includes speech, expression, statement, outlook on life, and his life history. The result of the study shows that the social status of artists as civil servants and community leaders is a factor that affects the work of artists, the role of artists in society is also a factor in changing the paradigm of society towards Kebangru'an Music. Kebangru'an music is presented with the addition of song texts that function as a means of communicating advice, moral messages in life, also a media that strengthen conformity to social norms. Kebangruan music has values ​​of worship and tolerance or community harmony.
将音乐转变为皇族传统
本文探讨了艺术家作为影响艺术家在克帮如庵仪式艺术作品转化过程中的社会作用,以及克帮如庵音乐所包含的表现形式、功能和价值。本研究方法采用质性研究范式,结合艺术社会学的研究方法,探讨艺术家在社会中的角色如何影响艺术家在克帮如庵仪式中改造艺术作品的创作过程,以及克帮如庵音乐所包含的表现形式、功能和价值。数据收集采用观察法和深度访谈法。观察是通过观察各种行为来进行的,这些行为塑造和反映了科班如安音乐艺术家的思维系统,包括语言、表达、陈述、人生观和他的生活史。研究结果表明,艺术家作为公务员和社区领袖的社会地位是影响艺术家工作的一个因素,艺术家在社会中的角色也是改变社会对科班如安音乐范式的一个因素。科班如庵音乐中加入了歌曲文本,作为一种交流建议的手段,在生活中传递道德信息,也是一种加强对社会规范的遵从的媒介。科班绒音乐具有崇拜和宽容或社会和谐的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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