Artistic symbolism of I.Turgenev as a manifestation of romantic spirit of his works

M. Kurbakova
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Abstract

The article considers the artistic symbolism of the writer as a reflection of the literary movement of his work, and analyzes it. The history of the issue on this topic originated a long time ago; it is quite extensive and causes undoubted interest. The peculiarity of the romantic view is associated with the personality of the writer and the inherent deep psychologism, psychophysics of his personality. The symbolic system in the Turgenev’s works is filled with Hegelian ideas about the inextricable relationship between the life of Nature and a man, which the writer adopted and developed. This relationship lies in the field of parallel processes occurring in them. A lot of attention in the work is paid to the forces of inertness and egoism, which, according to the author, are also engines of progress. This whole set of ideas, reflecting the various facets of human being and constituting the basis of the romantic system and the symbolism of his work, gives rise to a significant layer of symbolic details filling his works with a special artistic “sound”, where rich love symbolism has become a separate “ornament”.
屠格涅夫的艺术象征主义是他作品中浪漫主义精神的体现
本文认为作家的艺术象征主义是其作品文学运动的反映,并对其进行了分析。这个话题的历史由来已久;这是相当广泛的,引起了毫无疑问的兴趣。浪漫主义观的独特性与作家的个性及其内在深层的心理主义、心理物理学有关。屠格涅夫作品中的象征系统充满了黑格尔关于自然生命与人之间不可分割的关系的思想,作者采用并发展了这种思想。这种关系存在于它们所发生的并行进程领域。在这部作品中,作者把大量的注意力放在了惰性和利己主义的力量上,而这两种力量在作者看来也是进步的动力。这一整套思想反映了人的方方面面,构成了他作品的浪漫主义体系和象征主义的基础,产生了一层重要的象征细节,使他的作品充满了一种特殊的艺术“声音”,丰富的爱情象征主义成为一种单独的“点缀”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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