RACISM IN THE LAST DECADE OF HOLLYWOOD COMEDY MOVIES

Thiska Septa Maiza, I. Adi
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Abstract

The United States is considered to have entered the post-racial era in the 21st century, where racial preference, discrimination, and prejudice towards minorities, such as African Americans, are supposed to no longer exist. As one of the media that reflected American society, Hollywood movies tried to eliminate the discussion on race and racism. It can be seen in Hollywood movies that begin to eliminate the negative images and stereotypes of African Americans. However, it does not mean that racism vanished from the Hollywood movie industry, especially in comedy movies. Comedy movies are one of the genresthat often involve African-American actors and actresses. Their stereotypes are also commonly used to make humor in the narrative. Therefore, this genre is closely related to racism. However, comedy movies in the last decade, such as Evan Almighty (2007), Wild Hogs (2007), Meet Dave (2008), The Maiden Heist (2009), Last Vegas (2013), Someone Marry Barry (2014), and Going in Style (2017), are not showing any racism on the surface. By using Interdisciplinary as the approach, this research attempts to see how Hollywood presents racism in comedy movies, especially in the last decade. The representation theory is employed to interpret the images, scenes, and dialogues from seven selected comedy movies concerning racism. Meanwhile, the theory of humor is used to find out how racism makes humor occur through African-American characters. The finding of this research indicates that negative images and stereotypes of African Americans are still sustained in Hollywood movies. These depictions are shown covertly. Meanwhile, overt racism indicates that the African American characters are used to make humor occur in comedy movies.Keywords: African American; comedy; Hollywood; humor; racism; representation
最近十年好莱坞喜剧电影中的种族主义
21世纪的美国被认为进入了后种族时代,对非洲裔美国人等少数民族的种族偏爱、歧视和偏见应该不复存在。好莱坞电影作为反映美国社会的媒体之一,试图消除关于种族和种族主义的讨论。这可以从好莱坞电影中看到,开始消除对非洲裔美国人的负面形象和刻板印象。然而,这并不意味着种族主义从好莱坞电影工业中消失,尤其是在喜剧电影中。喜剧电影是一种经常涉及非裔美国演员的电影类型。他们的刻板印象也经常被用来在叙事中制造幽默。因此,这种体裁与种族主义密切相关。然而,过去十年的喜剧电影,如《埃文·全能》(2007年)、《野猪》(2007年)、《遇见戴夫》(2008年)、《少女抢劫》(2009年)、《最后的维加斯》(2013年)、《有人嫁给巴里》(2014年)和《时尚》(2017年),表面上并没有表现出任何种族主义。通过跨学科的研究方法,本研究试图了解好莱坞是如何在喜剧电影中呈现种族主义的,尤其是在过去的十年里。运用表征理论对七部关于种族主义的喜剧电影中的形象、场景和对话进行了分析。同时,运用幽默理论研究种族主义是如何通过非裔美国人的性格塑造幽默的。这项研究的发现表明,好莱坞电影中对非洲裔美国人的负面形象和刻板印象仍然存在。这些描述是隐蔽地展示的。与此同时,公开的种族主义表明,非裔美国人角色被用来制造喜剧电影中的幽默。关键词:非裔美国人;喜剧;好莱坞;幽默;种族歧视;表示
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