Holocaust als non-fictie in de hedendaagse Nederlandse en Vlaamse jeugdliteratuur

I. B. Kalla
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Abstract

The past two decades have seen a growing proliferation and generic (intermedial) diversification of Holocaust-related fiction and non-fiction in the Dutch language. At the hands of Dutch and Flemish authors of the third generation as well as writers who do not have a personal connection with the Holocaust, genres as diverse as the historical novel, picture books, the graphic novel, comic books and informational books have become the platform for creative engagement with the Shoah. In view of the growing temporal distance separating contemporary readers from the actual events of the Holocaust children’s literature, we saw its informative function being reinforced and revaluated. In this paper, I review Dutch and Flemish children’s literature about the Holocaust created in the 21st century. Special attention is paid to the literary methods and interventions used by authors in order to authenticate the narrative and frame it as non-fiction. These strategies demonstrate the further change in child images: the child is increasingly becoming a full-fledged participant in society and is as such entitled to historical truth, even if this truth is horrifying.
大屠杀作为非小说在当代荷兰和佛兰德青年文学
在过去的二十年中,荷兰语中与大屠杀有关的小说和非小说类作品日益扩散和普遍(中等)多样化。在第三代荷兰和佛兰德作家以及与大屠杀没有个人联系的作家的手中,历史小说、图画书、图画小说、漫画书和信息书等各种类型已成为创造性地参与大屠杀的平台。鉴于当代读者与大屠杀儿童文学的实际事件之间的时间距离越来越远,我们看到它的信息功能正在得到加强和重新评价。在本文中,我回顾了21世纪荷兰和佛兰德儿童关于大屠杀的文学作品。特别注意的是文学方法和干预使用的作者,以验证叙事和框架它作为非小说。这些策略表明了儿童形象的进一步变化:儿童日益成为社会的全面参与者,因此有权了解历史真相,即使这个真相是可怕的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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