بلاغة انتاج الصورة السردية في قصص محمود جنداري

Abstract

The research in monitoring the narrative image is based on the expansionist vision of rhetoric in its understanding of man and existence, as it is linked to the narrative imagination that helps it to extend and form expanded, which enters it into the field of spacious rhetoric, as it invests experience and literary expertise, taste, meditation, and life in the interpretation of the composition of literary images and its connotations, which is commensurate with the spaciousness The world and its ideas. The research was devoted to studying the stories of Mahmoud January, in acknowledgment of this pictorial diversity, which can extend according to the worlds of the imagined text (the world of production, the world of formation, and the world of reception). The research will be confined to shedding light on the world of production, represented by the implicit author on the diversity of its spectra, to monitor the direct relationship that links the text product to the image as it is one of the sources of its production within the literary work