{"title":"The Boal-Freire Nexus: Rehearsing Praxis, Imagining Liberation in Bilingual Teacher Education","authors":"Blanca Caldas","doi":"10.5070/L212245926","DOIUrl":null,"url":null,"abstract":"Author(s): Caldas, Blanca | Abstract: Freire (2005) encourages people to take “critical ownership of the formation of ourselves” (p. 44) in order to be able to act upon the world in what he (1993) calls “praxis.” This praxis consists of the development of critical consciousness leading to transformative action. Critical consciousness and praxis should be conceived as an ongoing and creative process through the actual doing within spaces of authoring (Holland, Lachicotte, Skinner, a Cain, 2003). Boal’s Theater of the Oppressed might provide Freire’s ideas with a stage where liberation and praxis can be concretized, rehearsed and imagined. A discussion of this Freire-Boal complementation is offered by providing examples of two studies I conducted among Mexican-American/Latinx bilingual pre-service teachers to 1) prepare them linguistically after years of subtractive anglo-centric schooling, 2) to develop political and ideological clarity (Bartolome a Balderrama, 2001), and 3) to encourage them to engage in leadership and advocacy inside and outside of the classroom.","PeriodicalId":328034,"journal":{"name":"L2 Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"L2 Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5070/L212245926","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Author(s): Caldas, Blanca | Abstract: Freire (2005) encourages people to take “critical ownership of the formation of ourselves” (p. 44) in order to be able to act upon the world in what he (1993) calls “praxis.” This praxis consists of the development of critical consciousness leading to transformative action. Critical consciousness and praxis should be conceived as an ongoing and creative process through the actual doing within spaces of authoring (Holland, Lachicotte, Skinner, a Cain, 2003). Boal’s Theater of the Oppressed might provide Freire’s ideas with a stage where liberation and praxis can be concretized, rehearsed and imagined. A discussion of this Freire-Boal complementation is offered by providing examples of two studies I conducted among Mexican-American/Latinx bilingual pre-service teachers to 1) prepare them linguistically after years of subtractive anglo-centric schooling, 2) to develop political and ideological clarity (Bartolome a Balderrama, 2001), and 3) to encourage them to engage in leadership and advocacy inside and outside of the classroom.
摘要:弗莱雷(2005)鼓励人们“对自己的形成具有批判性的所有权”(第44页),以便能够在他(1993)所谓的“实践”中对世界采取行动。这一实践包括批判意识的发展导致变革行动。批判意识和实践应该被认为是一个持续的和创造性的过程,通过在创作空间内的实际行为(Holland, Lachicotte, Skinner, a Cain, 2003)。鲍尔的《被压迫者的剧场》可能为弗莱雷的思想提供了一个舞台,在这个舞台上,解放和实践可以具体化、排练和想象。我在墨西哥裔美国人/拉丁裔双语职前教师中进行了两项研究,通过提供两项研究的例子来讨论这种Freire-Boal互补:1)在经过多年减法式盎格鲁中心教育后,为他们做好语言准备;2)发展政治和意识形态的清晰性(Bartolome A Balderrama, 2001); 3)鼓励他们参与课堂内外的领导和倡导活动。