Collective Creativity and Authorship in Opera: The Historical Experience of the Musical Culture of Kazakhstan

Music Scholarship / Problemy Muzykal'noj Nauki Pub Date : 2019-03-01 DOI:10.17674/1997-0854.2019.1.115-122

Umitzhan R. Dzhumakova, S. Musakhodzhaeva

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Abstract

The article examines cases of collective creativity and authorship in the history of Kazakh opera (1934–2018) in their connection with the overall processes of development of the art of opera. Collective creativity is demonstrated as an objective characteristic feature in the process of the creation and performance of a musical-theatrical composition. Five factors are determined, all of which impact the manifestation of collective authorship in real or hidden form: the historical, professional, spiritual-moral, biographic and culturological. It is proved that co-authorship, of which traditionally a negative attitude has been formed, has played an important role on various stages of the development of the genre. The significance of collective authorship in opera is stipulated by the specific traits of the art of music as a form of creativity of a collective nature and its existence within the context of a developing culture. Keywords: Kazakh opera, musical culture of Kazakhstan, collective creativity, collective authorship, production, redaction.

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歌剧中的集体创作与创作:哈萨克斯坦音乐文化的历史经验

本文考察了哈萨克斯坦歌剧历史上(1934-2018)集体创作和创作的案例，并将其与歌剧艺术发展的整体过程联系起来。集体创造力作为一种客观特征，在音乐戏剧作品的创作和表演过程中表现出来。确定了影响集体作者身份以真实或隐藏形式表现的五个因素:历史、职业、精神道德、传记和文化。事实证明，在文学发展的各个阶段，传统上持否定态度的合作在文学发展的各个阶段都发挥了重要作用。歌剧集体创作的意义在于音乐艺术作为一种集体创作形式的具体特征，以及它在文化发展背景下的存在。关键词:哈萨克歌剧，哈萨克斯坦音乐文化，集体创作，集体创作，制作，编校。

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Music Scholarship / Problemy Muzykal'noj Nauki

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