Kasetohust punutud Eesti ala märsid: eripärad ja valmistamine / Estonian Birch-bark Satchels: Particularities and Weaving Techniques

Andres Rattasepp, V. Jarõš
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Abstract

The largest group of birch-bark items in the collections of Estonian museums (around 190 objects) consists of “satchels” woven from strips of birch bark, and closable with a flap. (In English, there is no exact equivalent for the Estonian term märss, which denotes a container for food, woven out of birch back, and carried on the back.) These satchels were used mainly in the 19th and the first half of the 20th century in northern Estonia.The purpose of this article is to provide a brief historical overview of such items as found in Estonian areas, and also to confirm, through comparative analysis with analogues from neighbouring areas, the uniqueness of the technological solutions used to weave them. As far as we know, there is today no birch-bark weaver, who carries on the traditions of his predecessors, so we had to reconstruct the skill, starting by weaving some satchels based on those in the ethnographic collections, which also allowed us to analyze this type of object from the perspective of the requisite skills.The article offers fascinating data about birch-bark satchels, birch bark crafts in general, and heritage culture. Such knowledge is essential for those who wish to weave Estonian-style birch-bark satchels; it is also useful for stewards of the museum collections who wish to supplement their own knowledge of such items and their associated descriptions. It also provides an opportunity to reappraise the historical value of such satchels in museum collections and their importance in Estonian material heritage culture.In the course of the research, the authors developed the first typology for birch-bark satchels found in Estonian areas. As they have basically the same structure, four types were identified on the basis of the manner in which the flap is attached. The first type uses a fastening method known to be used only in Estonia, where the flap cord is tied to the base, attached to a half-loop formed from the carrying strap. The fastening method for the second type is that the flap strap is tied to a wooden, spindle-shaped peg in analogous fashion to satchels from neighbouring countries. Of the items we examined, only four used a third type of fastening, where the flap strap was tied to a loop made of bast, cord or leather strap. The fourth category I reserved for categorizing all items that had no discernible sign of how to fasten the flap. Presumably the flaps on such satchels were not secured by tying or were tied to a cord fastened to the base, which none of the extant items have.The edges of all of the birch-bark satchels from Estonian areas have a discernible cord or “lakapael” (flap strap) woven into them – this is an interesting solution which is not typically found in any neighbouring countries, where an additional bark strip is used in weaving the edge of the flap. The unusual practice of weaving in the flap strap could have been transposed from techniques involving the plaiting of bast or birch bark in plain weaves for making sandals, where it was the customary practice – especially in north-eastern and southeastern Estonia – to weave cord into the edge.
爱沙尼亚博物馆藏品中最大的一组桦树皮物品(约190件)是由桦树皮条编织而成的“背包”,可以用一个皮瓣关闭。(在英语中,没有与爱沙尼亚语märss完全对应的词,它表示用桦树背编织的食物容器,背在背上。)这些背包主要在19世纪和20世纪上半叶在爱沙尼亚北部使用。本文的目的是简要介绍在爱沙尼亚地区发现的这些物品的历史概况,并通过与邻近地区类似物品的比较分析,确认用于编织这些物品的技术解决方案的独特性。据我们所知,今天已经没有桦树皮编织者了,他们继承了前人的传统,所以我们必须重建这种技能,从编织一些民族志收藏品中的背包开始,这也使我们能够从必要的技能的角度来分析这类物品。这篇文章提供了关于桦树皮背包、桦树皮工艺品和传统文化的有趣数据。这些知识对于那些想要编织爱沙尼亚风格的桦树皮背包的人来说是必不可少的;对于希望补充自己对这些物品及其相关描述的知识的博物馆藏品管理员来说,它也很有用。它还提供了一个机会,重新评估博物馆收藏的这些包的历史价值及其在爱沙尼亚物质遗产文化中的重要性。在研究过程中,作者为爱沙尼亚地区发现的桦树皮背包开发了第一个类型学。由于它们具有基本相同的结构,因此根据皮瓣附着的方式确定了四种类型。第一种类型使用一种已知仅在爱沙尼亚使用的紧固方法,将襟翼绳系在底座上,与由携带带形成的半环相连。第二种类型的固定方法是,皮瓣带系在一个木制的,纺锤形的挂钩类似时尚的背包从邻国。在我们检查的物品中,只有四件使用了第三种系法,即将翻盖带系在由麻绳、绳子或皮带制成的环上。第四类我保留给所有的物品分类,没有明显的迹象表明如何拧紧皮瓣。据推测,这些背包上的盖子没有被绑住,或者是用绳子绑在底座上,而现存的背包都没有这样做。爱沙尼亚地区的所有桦树皮包的边缘都有一条可识别的绳索或“拉卡佩尔”(襟翼带)编织在其中-这是一种有趣的解决方案,在任何邻国都没有,在那里,在编织襟翼的边缘时使用了额外的树皮条。这种不寻常的编织方法可能是从用麻或桦树皮编成平纹织物来制作凉鞋的技术转变而来的,在那里,尤其是在爱沙尼亚东北部和东南部,在边缘上织绳子是一种习惯做法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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