{"title":"Stedelijk Museum Amsterdam at 125 Years – Editorial","authors":"Yvette Mutumba, Maurice Rummens","doi":"10.54533/stedstud.vol011.art01","DOIUrl":null,"url":null,"abstract":"“Museums are processes,” suggested the Brazilian ICOM delegation as part of their proposal for a new museum definition in 2019.[1] This might sound to some like the complete opposite of what, at least in Europe, museums seemingly represent: preservation and permanence. However, processes, in the sense of changes and shifts, have to increasingly define the dynamics of museums in the twenty-first century. The debate around the “new museum” or the “museum of the future” is not a phenomenon of this century, as Nora Sternfeld points out, but rather has again become a major concern.[2] Sternfeld quotes Alfred Lichtwark, who in 1904 argued “Solange die Museen nicht versteinern, werden sie sich wandeln müssen. (As long as museums do not petrify, they will have to change.)”[3] Lichtwark’s statement came at the height of European colonialism. Today “Western”[4] museums cannot plan their future without acknowledging their history of legitimizing racist and colonial violence.","PeriodicalId":143043,"journal":{"name":"Stedelijk Studies Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stedelijk Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54533/stedstud.vol011.art01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“Museums are processes,” suggested the Brazilian ICOM delegation as part of their proposal for a new museum definition in 2019.[1] This might sound to some like the complete opposite of what, at least in Europe, museums seemingly represent: preservation and permanence. However, processes, in the sense of changes and shifts, have to increasingly define the dynamics of museums in the twenty-first century. The debate around the “new museum” or the “museum of the future” is not a phenomenon of this century, as Nora Sternfeld points out, but rather has again become a major concern.[2] Sternfeld quotes Alfred Lichtwark, who in 1904 argued “Solange die Museen nicht versteinern, werden sie sich wandeln müssen. (As long as museums do not petrify, they will have to change.)”[3] Lichtwark’s statement came at the height of European colonialism. Today “Western”[4] museums cannot plan their future without acknowledging their history of legitimizing racist and colonial violence.