The Horses of "Araby"

R. Gerber
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Abstract

While the image of a “ponytail” comes readily to mind—and frescoes of Greek women displaying that hairstyle date back as early as 1600 b.c.— the word did not appear until 1916. However, the movement of Mangan’s sister’s dress and body is suggestive of the sway of a horse, and the swing of her hair is much like that of a horse’s tail; those descriptions are not accidental. In retrospect, perhaps even the smoothing and combing of the horse hints at an unspoken desire by the boy in the story to do likewise with Mangan’s sister’s dark hair. In any event, the fact that “mangan” is a Gaelic word meaning “abundant hair” lends further emphasis to a careful construction of the paragraph’s strong associative allusions. Joyce’s unique ability here to distill beauty from the decay of Dublin’s ashpits, and find music in the quotidian work of the stables, sensitizes him to other forms
“阿拉比”的马
虽然“马尾”的形象很容易出现在人们的脑海中——早在公元前1600年,希腊女性梳着这种发型的壁画就出现了——但这个词直到1916年才出现。然而,曼根妹妹的衣服和身体的运动让人联想到马的摆动,她的头发的摆动很像马的尾巴;这些描述并非偶然。回想起来,也许就连马的抚平和梳理都暗示了故事中的男孩想要对曼根妹妹的黑发做同样的事情。无论如何,“mangan”是盖尔语单词,意思是“毛发丰富”,这一事实进一步强调了段落中强烈联想典故的谨慎构建。乔伊斯从都柏林的灰烬中提炼出美丽,从马厩的日常工作中发现音乐,这种独特的能力使他对其他形式敏感
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