“Gardening in Eden”: Wasted Lives, or Detoxic Identities in Gail AndersonDargatz’s Turtle Valley and Barbara Kingsolver’s Prodigal Summer

Pedro Miguel Carmona Rodríguez
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Abstract

This paper analyzes the inflection of a border-crossing ecological concern on the regional cultures of settlement through Gail Anderson-Dargatz’s Turtle Valley (2007) and Barbara Kingsolver’s Prodigal Summer (2000). Their engagement with the contingent position of the farmers in the British Columbia Shuswap region, and the southern Appalachian Zebulon County resituates the self. The struggle for production is substituted by a revisionist attitude that relocates (wo)men and nature in a sustainable coexistence that approaches the human species and others. The ecological awareness of these novels uses a postindustrial landscape where human bodies and lives exhibit the malaise inflicted on the environment; they increasingly become waste(d) and toxic, and their habitat becomes a threat, also materialized in (post)natural catastrophes impelling the relocation of human communities, or business reinvention. The human wastification of Eden is instrumental to launch a revision that detoxifies identity thanks to a remodeled bond with nature.
《伊甸园中的园艺》:盖尔·安德森·达加兹的《海龟谷》和芭芭拉·金索沃的《浪子之夏》中被浪费的生命,还是去毒的身份
本文通过盖尔·安德森·达加兹的《海龟谷》(2007)和芭芭拉·金索沃的《浪子之夏》(2000)分析了跨境生态关注对聚落地域文化的影响。他们与不列颠哥伦比亚省舒斯瓦普地区农民的偶然地位的接触,以及阿巴拉契亚南部的西布伦县重新定位了自我。生产斗争被一种修正主义的态度所取代,这种态度将人与自然重新定位在一种接近人类和其他物种的可持续共存中。这些小说的生态意识采用了后工业时代的景观,人类的身体和生命表现出对环境造成的不适;它们越来越多地变成废物和有毒物质,它们的栖息地成为威胁,也在(后)自然灾害中具体化,迫使人类社区搬迁,或商业再造。人类对伊甸园的浪费有助于启动一种修正,通过重塑与自然的联系来排毒身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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