{"title":"Resonance and wonder","authors":"S. Greenblatt","doi":"10.4324/9780203823736-13","DOIUrl":null,"url":null,"abstract":"universal but in particular, contingent cases, the selves fashioned and acting according to the generative rules and conflicts of a given culture. And these selves, conditioned by the expectations of their class, gender, religion, race, and national identity, are constantly effecting changes in the course of history. Indeed, if there is any inevitability in new historicism's vision of history, it is this insistence on agency, for even inaction or extreme marginality is understood to possess meaning and therefore to imply intention. Every form of behavior, in this view, is a strategy: taking up arms or taking flight are significant social actions, but so is staying put, minding one's business, turning one's face to the wall. Agency is virtually inescapable. Inescapable but not simple: new historicism, as I understand it, does not posit historical processes as unalterable and inexorable, but it does tend to discover limits or constraints upon individual intervention. Actions that appear to be single are disclosed as multiple; the apparently isolated power of the individual genius turns out to be bound up with collective social energy; a gesture of dissent may be an element in a larger legitimation process, while an attempt to stabilize the order of things may turn out to subvert it. And political valences may change, sometimes abruptly: there are no guarantees, no absolute, formal assurances that what seems progressive in one set of contingent circumstances will not come to seem reactionary in another. New historicism's insistence on the pervasiveness of agency has apparently led some of its critics to find in it a Nietzschean celebration of the ruthless will to power, while its ironic and skeptical reappraisal of the cult of heroic individualism has led others to find in it a pessimistic doctrine of human helplessness. Hence, for example, from a Marxist perspective, Walter Cohen characterizes new historicism as a \"liberal disillusionment\" that finds that \"any apparent site of resistance ultimately serves the interests of power,\" while","PeriodicalId":381872,"journal":{"name":"A Museum Studies Approach to Heritage","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"28","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Museum Studies Approach to Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780203823736-13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 28
Abstract
universal but in particular, contingent cases, the selves fashioned and acting according to the generative rules and conflicts of a given culture. And these selves, conditioned by the expectations of their class, gender, religion, race, and national identity, are constantly effecting changes in the course of history. Indeed, if there is any inevitability in new historicism's vision of history, it is this insistence on agency, for even inaction or extreme marginality is understood to possess meaning and therefore to imply intention. Every form of behavior, in this view, is a strategy: taking up arms or taking flight are significant social actions, but so is staying put, minding one's business, turning one's face to the wall. Agency is virtually inescapable. Inescapable but not simple: new historicism, as I understand it, does not posit historical processes as unalterable and inexorable, but it does tend to discover limits or constraints upon individual intervention. Actions that appear to be single are disclosed as multiple; the apparently isolated power of the individual genius turns out to be bound up with collective social energy; a gesture of dissent may be an element in a larger legitimation process, while an attempt to stabilize the order of things may turn out to subvert it. And political valences may change, sometimes abruptly: there are no guarantees, no absolute, formal assurances that what seems progressive in one set of contingent circumstances will not come to seem reactionary in another. New historicism's insistence on the pervasiveness of agency has apparently led some of its critics to find in it a Nietzschean celebration of the ruthless will to power, while its ironic and skeptical reappraisal of the cult of heroic individualism has led others to find in it a pessimistic doctrine of human helplessness. Hence, for example, from a Marxist perspective, Walter Cohen characterizes new historicism as a "liberal disillusionment" that finds that "any apparent site of resistance ultimately serves the interests of power," while