Hacking education: Arte Útil as an educational methodology to foster change in curriculum planning

J. Byrne, Alessandra Saviotti
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Abstract

Artworks operating at the intersection of art and education often attempt to challenge dominant education systems in suggesting alternative pedagogical models that could function outside the official academic realm, proposing radical changes to the latter. However, the lack of continuity of alternative education models implemented by artists and curators within universities’ art and design departments fails to provide a longer-term change. This article stems from our research on the usological turn, a recent shift from spectatorship to usership according to which artists and curators tend to create art projects which situate themselves as part of a broader usership. Using an autoethnographic approach, we will analyse how the principles of the art group Arte Útil intersects with the undercommons. Hence, we explore how they apply an alternative method, through participatory curriculum planning, as a tool for change within the institution of education.
黑客教育:Arte Útil作为一种教育方法来促进课程规划的变化
艺术与教育交叉点的艺术作品经常试图挑战主流教育体系,提出可以在官方学术领域之外发挥作用的替代教学模式,对后者提出根本性的改变。然而,由艺术家和策展人在大学艺术和设计部门实施的替代教育模式缺乏连续性,无法提供长期的改变。这篇文章源于我们对使用学转向的研究,最近从观众到用户的转变,根据这种转变,艺术家和策展人倾向于创造艺术项目,将自己定位为更广泛的用户的一部分。使用一种自我民族志的方法,我们将分析艺术团体Arte Útil的原则是如何与下层社会相交的。因此,我们探索他们如何应用一种替代方法,通过参与式课程规划,作为教育机构内部变革的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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