From Narrative in Print to Narrative in Performance

David Rhoads
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Abstract

This article examines the paradigm shift from analysing the biblical narratives in a modern print medium to the exploration of biblical narratives as witnesses to oral performances in an ancient oral/aural medium. Our modern print medium assumes a single author writing a fixed text to be read in private and in silence by individual readers. The ancient Mediterranean media world presumes the ethos of a predominantly oral culture, a strong role for memory, the activity of scribes writing on scrolls, and performances to communal audiences. All these factors work to shape communal identity. The article then offers examples from the Gospel of Mark of various features of an oral performance, how oral performances may have generated a rhetorical impact, and how we might use insights from such studies to reinterpret Mark in an oral ethos.  
从印刷叙事到表演叙事
本文考察了从分析现代印刷媒介中的圣经叙事到探索圣经叙事作为古代口头/听觉媒介中口头表演的见证的范式转变。我们的现代印刷媒体假设一个作者写了一篇固定的文章,供个人读者私下和沉默地阅读。古代地中海媒体世界假定了一种以口头文化为主的精神,记忆的强大作用,抄写员在卷轴上写字的活动,以及对公共观众的表演。所有这些因素共同塑造了社区认同。然后,文章提供了《马可福音》中口头表演的各种特征的例子,口头表演如何产生修辞影响,以及我们如何利用这些研究的见解在口头精神中重新解释马可福音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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