A Normative Survey on Auditory Perception and Semantic Descriptors of Musical Timbres

Anis Haron, Wong Chee Onn, Hew Soon Hin
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Abstract

Timbre are commonly described using semantic descriptors such as ’dark’, ’bright’ and ’warm’. The use of such descriptors are useful and largely practiced by trained individuals in music related industries. Such descriptors are subjective as it could be interpreted differently by different individuals determined by factors such as training and exposure. Semantic descriptors also lacks granularity, in a sense that the descriptor does not indicate the amount or intensity of the description. A numerical representation for timbral description addressees these issues. Computational approach for numerical measure of timbre are at present under study by music technology researchers. Such studies requires a benchmarking process in order for viability tests. To provide a set of data that can be used for benchmarking, a survey on auditory perception and semantic descriptors of musical timbres were conducted. The conducted survey looks to find out if a general consensus can be observed for semantic description of musical timbres using a normative survey methodology. This article reviews the conducted survey, presenting the survey’s approach, results and findings
音乐音色听觉感知与语义描述的规范性研究
音色通常用“暗”、“亮”和“暖”等语义描述词来描述。这样的描述符的使用是有用的,并且在音乐相关行业中受过训练的个人大量使用。这些描述是主观的,因为不同的人可能会根据训练和接触等因素做出不同的解释。语义描述符也缺乏粒度,从某种意义上说,描述符不指示描述的数量或强度。音色描述的数字表示解决了这些问题。音色数值测量的计算方法是目前音乐技术研究者们正在研究的问题。这类研究需要一个基准程序,以便进行可行性测试。为了提供一组可用于基准测试的数据,对音乐音色的听觉感知和语义描述进行了调查。所进行的调查旨在找出是否可以使用规范的调查方法来观察音乐音色的语义描述的普遍共识。本文回顾了所进行的调查,介绍了调查的方法,结果和发现
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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