Wcielenia martwego ciała w twórczości Elizy Orzeszkowej. Rekonesans

Magdalena Romanowska
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Abstract

The article analyses the various ways of depicting the dead body and its functions in the literary works of Eliza Orzeszkowa. Due to the ambiguity of the very concept of a dead body (corpse, cadaver) and the special approach to this issue in Polish positivism (with all its dimensions and complexity), many of the author’s works contain interesting perspectives and opportunities to interpret the problem. The analysis of individual cases (the corpses of a young man, a young woman, an old woman, an insurgent, and an animal), using the tools of anthropology and ecocriticism, offers new conclusions about the issue of the dead body and death in Orzeszkowa’s On the Niemen.
本文分析了伊丽莎·奥热什科娃文学作品中对尸体的各种描绘方式及其作用。由于尸体(尸体,尸体)这个概念的模糊性以及波兰实证主义对这个问题的特殊方法(其所有维度和复杂性),作者的许多作品都包含了解释这个问题的有趣视角和机会。运用人类学和生态批评的工具,对个案(一个青年男子、一个年轻女子、一个老妇人、一个叛乱者和一只动物的尸体)进行分析,为奥尔热什科娃的《论涅曼河》中的尸体和死亡问题提供了新的结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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