Introduction: Bringing communities and culture together

Phil Jones, B. Perry, Paul Long
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引用次数: 1

Abstract

Introducing the book as a whole, this chapter examines how the arts sector and wider creative economy are evolving, particularly in the context of austerity. The idea of cultural intermediation is introduced, building on the work of Pierre Bourdieu to examine how organisations and individuals attempt to use cultural activity as a tool to improve the lives of individuals living in deprived communities. Austerity economics has had a major impact on the work of intermediaries, with communities simultaneously made responsible for solving their own socioeconomic problems, while the institutions with the capacity to mitigate inequality have been eroded through funding cuts. The cultural deficit model is challenged, noting that exposure to arts activities in and of itself does little to overcome entrenched inequality and social exclusion. The chapter also introduces the wider case studies used within the book, primarily examining the UK, with a particular ethnographic focus on the neighbourhoods of Ordsall in Salford and Balsall Heath in Birmingham.
介绍:将社区和文化融合在一起
本章从整体上介绍了这本书,探讨了艺术部门和更广泛的创意经济是如何发展的,特别是在紧缩的背景下。在Pierre Bourdieu的工作基础上,介绍了文化中介的概念,以研究组织和个人如何试图将文化活动作为改善生活在贫困社区的个人生活的工具。紧缩经济对中介机构的工作产生了重大影响,社区同时要负责解决自己的社会经济问题,而有能力缓解不平等的机构却因资金削减而受到侵蚀。文化赤字模型受到挑战,指出接触艺术活动本身对克服根深蒂固的不平等和社会排斥作用不大。本章还介绍了书中使用的更广泛的案例研究,主要研究英国,特别关注索尔福德的奥尔索尔社区和伯明翰的巴尔索尔希思社区。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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