The Aesthetic Regime of Representation

D. Lloyd
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Abstract

“The Aesthetic Regime of Representation” focuses on the work of German idealist aesthetic thought in the political context of the bourgeois revolutions of America and France. Analyzing Kant’s Critique of Judgment, it considers the “turn to the aesthetic” as a means of forestalling the immediacy of revolution and installing an implicitly pedagogical and developmental system of representation that defines the human and the political subject as universal and disinterested. That system relies on a notion of common sense that separates the civil subject from the Savage, who remains fixed at the threshold of humanity. The foundations of aesthetic philosophy are at the same time the foundations of a “regime of representation” that offers not a means to inclusion, but a mode of regulating access to recognition as a fully human and politically capable subject.
再现的美学制度
《表象的美学制度》主要研究德国唯心主义美学思想在美法资产阶级革命政治背景下的工作。在分析康德的《判断力批判》时,它认为“转向美学”是一种手段,它阻止了革命的即时性,并安装了一种隐含的教学和发展的表征系统,该系统将人类和政治主体定义为普遍和无私的。这一制度依赖于一种常识观念,这种观念将公民主体与野蛮人区分开来,野蛮人仍然被固定在人类的门槛上。美学哲学的基础同时也是一种“表征制度”的基础,它提供的不是一种包容的手段,而是一种作为一个完全具有人类和政治能力的主体而规范获得承认的模式。
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