Anne Frank Still in the Attic: Ethics of Forgetting in Shalom Auslander’s Hope: A Tragedy

Lola Serraf
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Abstract

ABSTRACT This article examines Jewish-American author Shalom Auslander’s 2012 novel Hope: A Tragedy, whose main character Solomon Kugel is ‘sick of the Holocaust’ and dreams of moving to a place ‘unburdened by the past, unencumbered by history.’ Desperately trying to escape the images of concentration camps imposed on him since he was a child, Kugel finds himself trapped in memories of the Shoah, especially when he finds a malodorant, angry, and ‘terribly old’ Anne Frank living in his attic. The following article focuses on the ethics of forgetting explored in the novel, in relation to Björn Krondorfer’s 2008 article ‘Is Forgetting Reprehensible? Holocaust Remembrance and the Task of Oblivion,’ which argues that ‘deliberate performative practices of forgetting might benefit communities affected by a genocidal past.’ I reflect on how particular forms of oblivion (or lack thereof) are explored in Auslander’s text, as some characters are paralyzed by their inability to forget and others destroyed by the guilt of wanting to forget. I argue that this text illustrates several contemporary Jewish writers’ desire to break away from the trauma of the Shoah, highlighting the detrimental effects of an overwhelming, painful past on younger generations.
尚在阁楼上的安妮·弗兰克:沙洛姆·奥斯兰德的《希望:一场悲剧》中的遗忘伦理
本文考察犹太裔美国作家沙洛姆·奥斯兰德2012年的小说《希望:一场悲剧》,书中的主人公所罗门·库格尔“厌倦了大屠杀”,梦想搬到一个“不受过去负担、不受历史拖累”的地方。库格尔绝望地试图逃离集中营的形象,因为他从小就被强加在他身上,他发现自己被困在大屠杀的记忆中,尤其是当他发现一个恶臭、愤怒、“非常老”的安妮弗兰克住在他的阁楼上时。下面这篇文章关注的是小说中关于遗忘的伦理,与Björn克朗多弗2008年的文章“遗忘是应受谴责的吗?”《大屠杀纪念和遗忘的任务》,该书认为,“故意的遗忘行为可能有利于受种族灭绝历史影响的社区。”我思考了奥斯兰德的作品中是如何探索遗忘(或遗忘缺失)的特殊形式的,因为一些角色因无法忘记而瘫痪,而另一些角色则被想要忘记的罪恶感所摧毁。我认为,这篇文章说明了几位当代犹太作家摆脱大屠杀创伤的愿望,强调了一段压倒性的、痛苦的过去对年轻一代的有害影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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