Nietzsche and Literature

D. Johnson
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引用次数: 2

Abstract

Abstract Nietzsche’s relationship to the literary output of his time and his later influence on it is the theme unifying the two anthologies and the monograph under review. While Nietzsche’s stature among philosophers is now secure and uncontested, his philosophical reception in the early years was delayed and overshadowed by his literary reception: enthusiastically endorsed by writers, he was disparaged as a Dichterphilosoph by academic philosophers. But by aligning Nietzsche with positions in contemporary philosophy, commentators now underappreciate Nietzsche’s literary style(s) and his desire to be seen as one of the great literary stylists and innovators. These studies redress that imbalance. They raise the larger question of what constitutes philosophy and suggest that his philosophizing breaches the divide that some place between the disciplines of philosophy and literature, particularly in an era of great academic specialization. Their goal is to show the importance of literature for Nietzsche, both in his capacity as a reader and as an author, and they approach this question from an interdisciplinary angle, combining aspects of literary science and philosophical history.
尼采与文学
尼采与他那个时代的文学作品的关系以及他后来对它的影响是统一这两本选集和专著的主题。虽然尼采在哲学家中的地位现在是安全的,没有争议的,但他早年的哲学接受被推迟了,并被他的文学接受所掩盖:作家们热情地支持他,学院派哲学家们贬低他为一个迪希特哲学。但是,通过将尼采与当代哲学的立场结合起来,评论家们现在低估了尼采的文学风格,以及他希望被视为伟大的文学风格家和创新者之一的愿望。这些研究纠正了这种不平衡。他们提出了一个更大的问题,即什么是哲学,并表明他的哲学思想打破了哲学和文学学科之间的鸿沟,特别是在一个学术专业化的时代。他们的目标是展示文学对尼采的重要性,无论是作为读者还是作为作者,他们从跨学科的角度来研究这个问题,结合文学科学和哲学史的各个方面。
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CiteScore
0.40
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