Fitting Tunes

P. Kupfer
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引用次数: 3

Abstract

Given how diverse the identities and musical tastes of consumers are and the power of music to influence the perception of moving images, how do advertisers choose the music for television commercials? Who makes such decisions, how are they made, and who evaluates them, both before airing and after? This chapter addresses these and related questions about the processes of selecting music for television commercials. The analysis is based on interviews with industry professionals as well as on a synthesis of literature from musicology, music sociology, music psychology, screen music, and advertising. In a multi-billion-dollar industry, where deadlines, budgets, and return on investment reign supreme, such decisions cannot be taken lightly, particularly when using certain kinds of music (e.g. copyrighted popular music) can easily inflate or exceed budgets or potentially alienate wide swaths of viewers. Ultimately, the chapter describes how balances are struck between emotional, artistic, communicative, financial, and sociocultural considerations.
合适的音乐
考虑到消费者的身份和音乐品味的多样性,以及音乐对运动图像感知的影响力,广告商如何为电视广告选择音乐?谁做出这样的决定,他们是如何做出的,谁来评估他们,在播出之前和播出之后?这一章解决了这些问题以及有关为电视广告选择音乐的过程的相关问题。该分析是基于对业内专业人士的采访,以及音乐学、音乐社会学、音乐心理学、屏幕音乐和广告等文献的综合分析。在一个价值数十亿美元的行业中,截止日期、预算和投资回报是最重要的,所以不能轻易做出这样的决定,特别是当使用某些类型的音乐(如受版权保护的流行音乐)很容易膨胀或超出预算,或可能疏远大量观众时。最后,本章描述了如何在情感、艺术、沟通、财务和社会文化考虑之间取得平衡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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