Theatrical performance as a limit is able to change the context

Abstract

: Disassembly and difference Classical thought continued to dominate aspects of literature and the arts despite the many mutations and transfers from one school to another, and from one sect to another, but the general view of literature, criticism and the arts in general remained the same, and it was unable to control these trends and transform its path from these From the side to the opposite side, until ideas and premises appeared, the aim of which was to “develop new patterns of thinking and behavior based on the desire for reproduction, not reduction and unification, and in contrast, not in symmetry, and separation instead of communication, different, multiple, diverse and dissimilar patterns arise. Identical, mobile, fixed and stable main in establishing a new style in is the idea of deconstruction, these concepts or philosophies be dismantled in their and an attempt to reconstruct this deconstruction new meanings and concepts, diving into detail and measuring all distances and reconsideration In all agreed matters and trying to reformulate them in a new and innovative way, deconstruction depends in its formulation on the destruction of all idols that had a history in human thought, and therefore comprehensiveness and generality are the most important characteristics Deconstruction is not a philosophy and a science, it is not a method, nor a theory, nor a doctrine.