{"title":"Precarious Labor in COVID Times: The Case of Musicians","authors":"D. Arditi","doi":"10.32855/fcapital.202101.002","DOIUrl":null,"url":null,"abstract":"While the coronavirus pandemic continues to wreak havoc on employment opportunities throughout the world, workers who earn a living through precarious employment activities have faced unique barriers to securing wages. The “gig economy” that professed to provide workers with flexibility and fast cash (Ravenelle 2019; Schor 2020) suddenly left these independent contractors without work and without income. When many governments around the world shut down all gatherings of 10 or more people in 2020, the impact was devastating on musicians’ lives and many supporting workers in the entertainment industry. The structural insecurity of gig work was amplified as music venues were forced to cancel performances for a year or more. “The ‘gig’ in the term ‘gig economy’ refers back to the short-term arrangements typical of a musical event. An aspiring musician might celebrate getting a gig, or tell a friend that they have got a gig in the back room of a pub. This is of course no guarantee that they will get to perform regularly” (Woodcock and Graham 2020:3). Musicians’ livelihoods have been exacerbated by their lack of employment contracts and requisite employment protections during the pandemic.","PeriodicalId":215382,"journal":{"name":"Fast Capitalism","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Fast Capitalism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32855/fcapital.202101.002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
While the coronavirus pandemic continues to wreak havoc on employment opportunities throughout the world, workers who earn a living through precarious employment activities have faced unique barriers to securing wages. The “gig economy” that professed to provide workers with flexibility and fast cash (Ravenelle 2019; Schor 2020) suddenly left these independent contractors without work and without income. When many governments around the world shut down all gatherings of 10 or more people in 2020, the impact was devastating on musicians’ lives and many supporting workers in the entertainment industry. The structural insecurity of gig work was amplified as music venues were forced to cancel performances for a year or more. “The ‘gig’ in the term ‘gig economy’ refers back to the short-term arrangements typical of a musical event. An aspiring musician might celebrate getting a gig, or tell a friend that they have got a gig in the back room of a pub. This is of course no guarantee that they will get to perform regularly” (Woodcock and Graham 2020:3). Musicians’ livelihoods have been exacerbated by their lack of employment contracts and requisite employment protections during the pandemic.
在冠状病毒大流行继续严重破坏世界各地就业机会的同时,通过不稳定的就业活动谋生的工人在获得工资方面面临着独特的障碍。声称为工人提供灵活性和快速现金的“零工经济”(Ravenelle 2019;Schor 2020)突然让这些独立承包商失去了工作和收入。当世界上许多国家的政府在2020年关闭所有10人或10人以上的聚会时,这对音乐家的生活和娱乐业的许多支持工作者的影响是毁灭性的。随着演出场所被迫取消一年或更长时间的演出,演出工作的结构性不安全感被放大。“零工经济”中的“零工”指的是典型的音乐活动的短期安排。一个有抱负的音乐家可能会庆祝自己得到了一场演出,或者告诉朋友他们在酒吧的后屋得到了一场演出。当然,这并不能保证他们会定期演出”(Woodcock and Graham 2020:3)。在疫情期间,音乐家的生计因缺乏就业合同和必要的就业保护而恶化。