Unlikely Documents? Exploring Finnish Nineteenth-Century Life Writing From Below

Anna Kuismin
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Abstract

The expression unlikely documents in the title of this article is coined by Marlene Kadar and Jeanne Perreault. It refers to the appearance of auto/biography in unexpected places, texts that “bespeak either an extended or a limited story about a person’s life.” The article focuses on nineteenth-century Finnish life writing from below, texts produced by rural people with no formal education. The cases analysed include a notebook of hymns by a mistress of a farm, a chronicle penned by a modest country tailor, wooden boards inscribed by a saddle maker living on poor relief and textiles produced by a weaver woman. Seen in their contexts, these extraordinary texts prove to be understandable, even plausible: people who were not well-versed in literary genres and styles, had to make their choices from resources that were available there and then. In spite of the limited repertoire of models, the authors were able to express themselves and bring their subjectivity to the fore, in one way or another. Their texts can also be seen as tools of empowerment and vehicles of creativity for people in marginal positions at the time when writing did not belong to the life of the great majority.
可能文件?从下面探索十九世纪芬兰的生活写作
本文标题中的“不太可能的文件”一词是由Marlene Kadar和Jeanne Perreault创造的。它指的是在意想不到的地方出现的自传或传记,这些文本“讲述了一个人一生的延伸或有限的故事”。这篇文章关注的是19世纪芬兰人的底层生活,这些文本是由没有受过正规教育的农村人创作的。被分析的案例包括一个农场女主人写的赞美诗笔记本,一个谦虚的乡村裁缝写的编年史,一个靠救济生活的马鞍匠写的木板,以及一个纺织女工生产的纺织品。从它们的语境来看,这些非凡的文本被证明是可以理解的,甚至是可信的:那些不精通文学体裁和风格的人,不得不从当时可用的资源中做出选择。尽管模型的保留曲目有限,但作者能够以这样或那样的方式表达自己并将他们的主观性带到前台。他们的文本也可以被视为赋予权力的工具和处于边缘地位的人的创造力的载体,当时写作不属于大多数人的生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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