La Meri’s Writings

Nancy Lee Chalfa Ruyter
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Abstract

There is much evidence of La Meri’s lifelong commitment to writing, which seems to have been as central to her life as dance. Fortunately, her thoughts, feelings, and insights survive not only in her published poetry, articles, and books but also in the hundreds of notes and notebooks, dance descriptions, letters, and other materials in her archives. At an early age, La Meri began publishing her poetry, and, later, works about her own life experiences and about dance and its many manifestations. After some discussion of La Meri’s poetry and the books of poems that she published, this chapter focuses mostly on the six books that deal with dance. These books include her autobiography (a memoir of her professional life) and five works that provide information and discussion about dance as an art form: including Spanish dance, Indian dance, choreography, and “ethnic dance,” a term she claimed to have coined. In her dance writings she also sets forth her theoretical, aesthetic and pedagogical conceptions and ideas.
拉梅里的著作
有很多证据表明,拉梅里一生都致力于写作,这似乎与舞蹈一样成为她生活的中心。幸运的是,她的思想、感情和见解不仅存在于她发表的诗歌、文章和书籍中,而且存在于她档案中的数百个笔记和笔记本、舞蹈描述、信件和其他材料中。拉梅里在很小的时候就开始出版她的诗歌,后来又出版了关于她自己的生活经历和舞蹈及其多种表现形式的作品。在对拉梅里的诗歌和她出版的诗集进行了一些讨论之后,本章主要集中在六本有关舞蹈的书上。这些书包括她的自传(她职业生涯的回忆录)和五部提供关于舞蹈作为一种艺术形式的信息和讨论的作品:包括西班牙舞蹈、印度舞蹈、编舞和“民族舞蹈”,这是她声称创造的一个术语。在她的舞蹈作品中,她还阐述了她的理论、美学和教学观念和想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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