Recalling Socialism through Clubbing Posters: A Visual Analysis of Grassroots Alternative Memory Practices

Alexandra Bardan
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Abstract

This article explores a particular marketing trend operating online during the 2010s and consisting of promoting clubbing parties using communist-style posters. The first part of the paper is dedicated to the theoretical framework and approaches the study of the posters also as an alternative memory practice that digitally marked the online landscape of leisure promotion, participating in the making of a nostalgia economy. A socio-semiotic analysis is used for a body of 118 communist themed clubbing advertisements posted online between 2009 and 2019, where content analysis provided data that narrowed the duration of the aforementioned marketing practices to a time span of six years. Content analysis also yielded an overview of the most used visual patterns, while the examination of the production techniques showed that most of the posters displayed extensive digital alteration of the ideological insignia, consistent with the conversion of political icons into kitsch practiced elsewhere in Eastern Europe. These findings are put in perspective within the context of a generational change, while the posters could be the basis for future research under the framework of collective and cultural memory.
透过俱乐部海报回忆社会主义:草根另类记忆实践的视觉分析
本文探讨了2010年代在线运营的一种特殊营销趋势,包括使用共产主义风格的海报推广俱乐部派对。论文的第一部分致力于研究海报的理论框架和方法,也将其作为一种替代记忆实践,以数字方式标记休闲推广的在线景观,参与怀旧经济的形成。对2009年至2019年期间在网上发布的118个共产主义主题的俱乐部广告进行了社会符号学分析,其中内容分析提供的数据将上述营销行为的持续时间缩短至六年。内容分析还得出了最常用的视觉模式的概述,而对制作技术的检查表明,大多数海报都显示了对意识形态标志的广泛数字修改,这与东欧其他地方将政治图标转换为媚俗的做法一致。这些发现是在代际变化的背景下进行的,而海报可以成为未来在集体和文化记忆框架下研究的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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