Switzerland’s referendum on «Lex Netflix» and its implications of the regulatory framework for OTT(Over-the-top) service providers

Hae Sung Lee
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Abstract

Switzerland guarantees a system that allows its people to express and validate their opinion on relevant laws through the submission of a referendum when deemed necessary. In 2021, both chambers (the National Council and the Council of States) imposed an obligation for streaming platforms to invest in local Swiss cinema. With this new law, not only video streaming service providers based in Switzerland but also those abroad would have to re-invest 4% of their gross revenues generated in Switzerland in Swiss independent film creation. In addition, the law introduced a quota system requiring at least 30% of the offered catalogue to be made up of European cinema productions. In May 2022, a referendum against this draft bill was initiated by the referendum committee due to consumer opposition As a result, more than half of the amendment voted in favour of the amendment, and the revised film law will come into force in 2024. In the recommendation, the referendum committee expresses its opinion against the law and stipulates whether it originally was the logic of regulatory approval by the regulators and against regulations imposed by consumers. As a result, consumers’ benefits and welfare, which remained up to now unclear, can be verified through actual cases, and the regulatory differences for the same service provider in Switzerland and in Korea can be highlighted. We examine the implications of such platform regulations by looking at Switzerland, which regulates the obligation to reinvest in the local film industry to protect cultural diversity and content comptetitiveness, and Korea, which requires the obligation to stabilize services for network quality.
瑞士关于“Lex Netflix”的全民公投及其对OTT(Over-the-top)服务提供商监管框架的影响
瑞士保障一种制度,允许其人民在必要时通过提交公民投票来表达和确认他们对有关法律的意见。2021年,瑞士参众两院(国家委员会和国务委员会)规定,流媒体平台有义务投资瑞士本土电影。根据这项新法律,不仅是瑞士的视频流媒体服务提供商,国外的视频流媒体服务提供商也必须将其在瑞士产生的总收入的4%重新投资于瑞士的独立电影创作。此外,该法律还引入了配额制度,要求提供的目录中至少有30%由欧洲电影制作。2022年5月,由于消费者的反对,公投委员会发起了对该法案草案的全民公投,结果,超过一半的修正案投票赞成修正案,修订后的电影法将于2024年生效。在意见书中,公民投票委员会表达了反对该法律的意见,并规定了该法律最初是出于监管机构的监管批准逻辑,还是出于消费者的监管要求。这样就可以通过实际案例来验证消费者的利益和福利,同时也可以突出瑞士和韩国对同一服务提供商的监管差异。我们以瑞士和韩国为例来研究这种平台监管的影响,瑞士规定了对当地电影产业进行再投资的义务,以保护文化多样性和内容竞争力,韩国要求有义务稳定网络质量的服务。
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