“Nightmare is over”: Trauma and Agency in the Remake of A Nightmare on Elm Street

Rosana Ruas Machado Gomes
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Abstract

Abstract The 2010 remake of the horror film A Nightmare on Elm Street focuses on the earthly abuses committed by the now confirmed pedophile Freddy Krueger. The fact that the victims of Krueger’s sexual assaults start getting murdered in their sleep is relevant to the trauma studies, as nightmares are one of the most common symptoms observed in people diagnosed with Post Traumatic Stress Disorder. Therefore, one of the goals of this paper is to analyze the ways in which trauma is portrayed in the movie. Considering that the teenagers can only overcome Krueger — and therefore, their trauma — once they are able to witness the terrible events of their past, this work also aims at observing and discussing the trajectory that allows the protagonists to survive. In order to meet these goals, some central concepts to trauma theory are presented and discussed in relation to their portrayal in the film. The analysis shows that the main character Nancy can only defeat Krueger once she knows everything that has happened in the past and is able to have agency in the story.
“噩梦结束了”:重拍《猛鬼街》中的创伤与代理
2010年翻拍的恐怖电影《猛鬼街》主要讲述了现已证实的恋童癖弗雷迪·克鲁格在人间犯下的虐待行为。克鲁格性侵犯的受害者开始在睡梦中被谋杀,这一事实与创伤研究有关,因为噩梦是在被诊断为创伤后应激障碍的人身上最常见的症状之一。因此,本文的目标之一就是分析电影中对创伤的描绘方式。考虑到青少年只有在目睹了他们过去的可怕事件后才能克服克鲁格,从而克服他们的创伤,这部作品也旨在观察和讨论让主人公生存下来的轨迹。为了达到这些目标,我们提出并讨论了一些创伤理论的核心概念,以及它们在电影中的表现。分析表明,主人公南希只有在了解了过去发生的一切之后,才能打败克鲁格,并在故事中拥有代理权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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