Comparison of Expression of God in Poems Written by Amir Hamzah, Chairil Anwar and Sutardji Calzoum Bachri

S. Bahri, Rusdiawan Rusdiawan, Nuriadi Nuriadi
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引用次数: 9

Abstract

God becomes the search for religious people. This search is expressed in the form of books, songs, movies, or even in the form of literary works. The individual poets express God in poetry. There is a difference between one poet and the other. In this study, therefore, we examine several issues: the expression of God in Amir Hamzah's poem entitled Drop Back, the expression of God in Chairil Anwar's poem entitled Prayer, the expression of God in the Sutardji Calzoum Bachri poem entitled Amuk, and the comparison of expression on God in the poems of the poets. This research is qualitative with descriptive nature. In this case, data collection is done by library method and documentation technique. Further data analysis is done with the application of Roland Barthes semiotics theory, namely the principle of signifier (sign), signified (signified), and meaning (signification). This analysis begins by splitting the data in the form of fragments that are arbitrarily defined. Thereafter, the first or denotative meanings are determined by looking at the lexical meaning, and the meaning of the second or connotative level is determined by the search for a relation between marker and second level marker. By looking at the significance of the second level, the expression of God in the poetry of the poets in can be determined. Thus, the results of data analysis show things as follows. (1) Amir Hamzah expresses God with the fragment of your servant tongue, different, develops, spreads me up the ladder of captivity, and descends again. (2) Chairil Anwar expresses God with the fragments of prayer and at your door I knock. (3) Sutarjdi Calzoum Bachri expresses God with the fragments of my cat and se There is mmmmMu! (4) Amir Hamzah expressing God as a supreme substance and he resisted such ideas as manunggaling kusula gusti, Chairil Anwar expressed God as the only place to get the feeling of "coming home or returning" to be a person who surrendered to the greatness of God's grace, while Sutarjdi Calzoum Bachri expressed God as a substance that can only be found with submission to Him.
Amir Hamzah、Chairil Anwar和Sutardji Calzoum Bachri诗歌中上帝表达的比较
上帝变成了宗教人士寻找的对象。这种搜索以书籍、歌曲、电影甚至文学作品的形式表现出来。个别诗人在诗歌中表达上帝。一个诗人和另一个诗人是有区别的。因此,在本研究中,我们考察了几个问题:阿米尔·哈姆扎的诗歌《退后》中上帝的表达,安瓦尔的诗歌《祈祷》中上帝的表达,Sutardji Calzoum Bachri的诗歌《阿穆克》中上帝的表达,以及诗人诗歌中上帝表达的比较。这项研究是定性的,具有描述性。在这种情况下,数据收集是通过库方法和文档技术完成的。进一步的数据分析运用了罗兰·巴特的符号学理论,即能指(符号)、所指(所指)、意义(所指)原则。该分析首先以任意定义的片段的形式拆分数据。然后,通过查看词汇意义来确定第一层或外延层的意义,通过搜索标记与第二层标记之间的关系来确定第二层或内涵层的意义。通过考察第二层次的意义,可以确定诗人在诗歌中对上帝的表达。因此,数据分析的结果显示如下。阿米尔·哈姆扎用你仆人的舌头的碎片来表达上帝,不同的,发展,把我推上囚禁的阶梯,然后又下降。安瓦尔主席用祈祷的片段表达上帝,我敲你的门。(3) Sutarjdi Calzoum Bachri用我的猫的碎片来表达上帝。(4) Amir Hamzah将上帝表达为一个至高无上的实体,他抵制manunggaling kusula gusti这样的想法,Chairil Anwar将上帝表达为唯一能让人感到“回家或回归”的地方,成为一个臣服于上帝伟大恩典的人,而Sutarjdi Calzoum Bachri将上帝表达为一个只能通过服从他才能找到的实体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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