Inscapes: Introducing a New Term to Cultural Astronomy

Laura Andrikopoulos
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Abstract

Within the field of cultural astronomy, the terms ‘skyscape’, ‘spacescape’ and ‘landscape’ are in common usage. Whilst all may contain psychological or phenomenological aspects, all are also strongly related to the physical environment. This paper proposes the addition of a new ‘scape’ to the current pantheon, one which prioritises the inner environment and thereby adds to the list of ‘scapes’ under consideration. This is the ‘inscape’, or ‘inner landscape’. The paper gives examples of how this term may usefully be employed to describe certain phenomena of interest within the field, particularly those relating to psychological astrology. It begins by examining the limitation of the existing scapes, before going on to consider the use of the term by archetypal psychologist James Hillman, whose references to inscape inspired this paper. It goes on to consider Carl Jung’s exploration of what I call his inscape as a precursor to the development of his key ideas. It then considers inscape as a way of referring to parts of Corbin’s mundus imaginalis. It then proceeds to examine the idea of planetary inscapes within psychological astrology before considering the meeting place or horizon between inscape and landscape through other practices within cultural astronomy.
景观:介绍文化天文学的一个新术语
在文化天文学领域,术语“天空景观”,“空间逃逸”和“景观”是常用的。虽然它们都可能包含心理或现象学方面的内容,但它们也都与物理环境密切相关。本文建议在现有万神殿的基础上增加一个新的“景观”,优先考虑内部环境,从而增加“景观”的考虑。这就是“内在景观”,或“内在景观”。本文给出了一些例子,说明这个术语如何有效地用于描述该领域内感兴趣的某些现象,特别是那些与心理占星术有关的现象。本文首先考察了现有景观的局限性,然后再考虑原型心理学家James Hillman对该术语的使用,他对内部景观的引用启发了本文。它继续考虑卡尔·荣格的探索,我称之为他的内部结构,作为他的关键思想发展的先驱。然后,它认为inscape是指Corbin的mundus imaginalis的一部分。然后,在通过文化天文学的其他实践考虑内景和景观之间的交汇处或地平线之前,它继续在心理占星术中检查行星内景的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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