Technological innovation and its enhancement of cultural heritage

V. Cantoni, M. Mosconi, Alessandra Setti
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引用次数: 1

Abstract

The technological revolution which has completely transformed social relations and which has enabled communication and sharing of multimedia formats is also rapidly transforming the field of art and cultural heritage management. This contribution focuses on the innovative use of interactive digital technologies in digital humanities practices. In the last recent years, we experienced different approaches exploiting advanced technological innovation in the field of cultural heritage promotion and conservation. In 2015, for the exhibition “1525-2015. Pavia, the Battle, the Future. Nothing was the same again”, we applied multimodal interaction modalities. Visitors could look at and examine seven ancient tapestries through 3D reconstructions, virtual simulations, eye interaction and gesture navigation. Moreover, a transposition of the tapestries into tactile images enabled exploration by partially sighted and blind people. Motivated by this successful exhibition, in 2018, a more ambitious project, the 3D reconstruction of Pavia in the Renaissance, was undertaken. Advanced techniques and innovative applications have led to a resource useful for the promotion of the history of the city and its architectural richness through videos offering virtual tours of the city. Later, in 2019, a “Digital Anastylosis of Frescoes challeNgE (DAFNE)” has been proposed, to provide virtual solutions that ultimately add to the fresco restorer's toolkit, with digital re-composition of ‘puzzles’ formed by the artwork fragments, often mixed with spurious elements.
技术创新及其对文化遗产的强化
技术革命彻底改变了社会关系,使多媒体格式的交流和共享成为可能,也迅速改变了艺术和文化遗产管理领域。这篇文章的重点是在数字人文实践中创新地使用交互式数字技术。近年来,我们在文化遗产推广和保护领域采用了不同的方法来利用先进的技术创新。2015年,参加“1525-2015”展览。帕维亚,战斗,未来。一切都不一样了”,我们应用了多模态交互模式。游客可以通过3D重建、虚拟模拟、眼睛互动和手势导航来观看和检查七幅古老的挂毯。此外,将挂毯转换为触觉图像使弱视和盲人能够进行探索。在这次成功展览的推动下,2018年,一个更雄心勃勃的项目——文艺复兴时期帕维亚的3D重建项目开始了。先进的技术和创新的应用已经形成了一个有用的资源,通过视频提供虚拟城市之旅来宣传城市的历史和丰富的建筑。后来,在2019年,提出了“壁画数字复原挑战(DAFNE)”,提供虚拟解决方案,最终增加壁画修复者的工具包,通过数字重组由艺术品碎片形成的“谜题”,通常混合着虚假的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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