Kőbe faragott viseletek vizsgálata Banteay Sreiben, Kambodzsában

Borbála Száva
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Abstract

The objective of my doctoral research is to interpret the meaning of thecostumes of female figural depictions on the walls of Banteay Srei and ofother contemporary buildings erected in the 10th century. This study couldhopefully also shed new light on the hitherto unsatisfactorily solved questionof the dating of the construction periods of the Banteay Srei sanctuary. Thearchitectural and art historical research of Banteay Srei temple has been afundamental topic in Angkorean research for decades. In 2013 and 2014, I spent altogether six months in Angkor to collect allthe data of the carved and sculpted costume depictions belonging to the socalled Banteay Srei style. I established a complete catalogue of more than550 figural depictions found on site on the walls of Banteay Srei templecomplex (including all human and mythological figures which are depictedwith clothes or jewellery), and also other contemporary edifices found currently in Cambodia and Thailand, as well as in different museum collections all around the world. With the help of this database, I interpreted thedepictions in their cultural, religious, architectural and narrative context. In order to achieve my field research it was crucial to obtain an officialresearch permit issued by the APSARA Authority, the state institution thatis responsible for protecting the Angkor monuments. As a result of my personal presentation, I got the generous support of the Authority and I gainedaccess to several sculptural collections, as well as researchers’ and museumcollection databases. The personal collaboration with young researchers working at the APSARA Authority has made it possible for me to visit and document various monuments in remote areas. To access these ruins, we manytimes relied on the local people, mainly kids, even though we were wellprepared and well equipped with modern navigational knowledge and tools.In addition to the scientific documentation, the greatest achievement of theseresearch trips was that I have learned to trust the guidance of the ’local world’.
我博士研究的目的是解读班泰寺和其他建于10世纪的当代建筑墙壁上的女性形象描绘的服装含义。这项研究也有望为迄今为止尚未令人满意的Banteay Srei保护区建设时期的年代确定问题提供新的线索。几十年来,班迭寺的建筑和艺术史研究一直是韩国研究的基本课题。2013年和2014年,我在吴哥总共花了六个月的时间,收集了所有属于所谓的Banteay Srei风格的雕刻和雕刻服装描绘的数据。我建立了一个完整的目录,其中包括在Banteay Srei寺庙建筑群的墙壁上发现的550多幅人物描绘(包括所有用衣服或珠宝描绘的人类和神话人物),以及目前在柬埔寨和泰国发现的其他当代建筑,以及世界各地不同的博物馆收藏。在这个数据库的帮助下,我从文化、宗教、建筑和叙事的语境中解读这些描绘。为了完成我的实地研究,获得APSARA管理局颁发的官方研究许可证至关重要,APSARA管理局是负责保护吴哥古迹的国家机构。由于我的个人展示,我得到了管理局的慷慨支持,我获得了几个雕塑收藏,以及研究人员和博物馆收藏数据库的访问权。与APSARA管理局的年轻研究人员的个人合作使我有可能参观和记录偏远地区的各种古迹。为了进入这些废墟,我们经常依靠当地人,主要是孩子,尽管我们准备充分,配备了现代导航知识和工具。除了科学文献之外,这些研究之旅最大的成就是我学会了相信“当地世界”的指导。
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