Architecture Ecologised: Nature’s Patterns and Abstractions in Malay Built Traditions

Ismail Jasmani, Norzalifa Zainal Abidin, Shamzani Affendy Mohd Din, Puteri Shireen Jahn Kassim
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引用次数: 1

Abstract

The following paper discusses analysis and morphology of key motifs and patterns drawn from a range of cases in Malay architecture and built form, which arise of centuries of observation of nature and its eventual artistic expressions in building elements. They focus on patterns found in many traditional buildings repeatedly across the Nusantara. These patterns, taken from flora and fauna of the region, recall how woodcarvers, artisans and builders were inspired by the living beings which they found surrounding them. The paper highlights that these nature-related motifs represent a ‘regionalising’ aesthetic strategy, which vary in terms of location, and which builders and patrons of architecture used to regionalize and ‘localise’ their buildings and cases. The hand-drawn motifs in the study were thenrelated to the symbolic and spiritual meaning of them, highlighting that these meaning could be again re-instated in modern architecture. The motifs could represent a spiritual and regional means of re-infusing the built environment with a ‘soul’ and meaning, in the midst of modernization and urbanization. 
生态建筑:马来建筑传统中的自然模式与抽象
下面的文章讨论了从马来建筑和建筑形式的一系列案例中得出的关键主题和模式的分析和形态学,这些主题和模式产生于几个世纪以来对自然的观察及其最终在建筑元素中的艺术表现。他们专注于努沙塔拉许多传统建筑中反复出现的图案。这些图案取自该地区的动植物,让人回想起木雕家、工匠和建筑工人是如何从他们周围的生物中获得灵感的。论文强调,这些与自然相关的主题代表了一种“区域化”的美学策略,这些策略在地理位置上有所不同,建筑的建设者和赞助人用来将他们的建筑和案例区域化和“本地化”。研究中的手绘图案与它们的象征意义和精神意义相关,强调这些意义可以在现代建筑中再次恢复。在现代化和城市化的过程中,这些主题可以代表一种精神和地域的方式,为建筑环境重新注入“灵魂”和意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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