The Signifying Tomboy and the Thai TV Series Club Friday To Be Continued: She Changed

S. Chao
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Abstract

This article examines the representation of same-sex attracted women in contemporary Thai culture by using the television series Club Friday To Be Continued: She Changed (2016) as the prime example. The show’s portrayal of the tomboy protagonist is not uncontroversial, given that her unfolding love for a man betrays the tomboy’s original self-identity as a woman-loving woman. It invokes the heteronormative specter that sees female homoeroticism as temporary or situational while same-sex attracted women will turn “straight” so long as they meet the right men. This article, however, urges us to look beyond the seeming political incorrectness and focus on the changing signification of “tomboy” in the Thai culture. I argue that the series dramatizes the expanded meaning of tomboy: now detached from a firm association with female homoeroticism (tom) to become a form of women’s gendered self-fashioning (tomboyism) that is mediated by trendy intra-Asian cosmopolitanism in contemporary Thai society.
具有象征意义的假小子和泰国电视剧俱乐部周五待续:她变了
本文以电视剧《星期五俱乐部待续:她变了》(2016)为例,探讨了同性吸引女性在当代泰国文化中的表现。这部剧对假小子主角的刻画并非没有争议,因为她对一个男人的爱背叛了假小子作为一个爱女人的女人的原始自我认同。它唤起了异性恋规范的幽灵,认为女性同性恋是暂时的或情境性的,而同性吸引的女性只要遇到合适的男人就会变成“直男”。然而,这篇文章敦促我们超越表面上的政治不正确,关注“假小子”在泰国文化中不断变化的意义。我认为,这部电视剧戏剧化地扩展了假小子(tomboy)的含义:现在,假小子(tomboy)已经脱离了与女性同性恋(tom)的紧密联系,成为一种女性性别自我塑造(tomboyism)的形式,这种自我塑造是由当代泰国社会中流行的亚洲内部世界主义所中介的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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