Apologies and Apologists: The Disavowal of Racism and the Abjuration of Anti-racism in the Contemporary United States

C. King
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引用次数: 1

Abstract

This article examines the controversy over the hip-hop group OutKast's performance at the 2004 Grammy Awards and the death of Marge Schott, one time owner of the Cincinnati Reds, with a view toward sketching the contours of a new form of racism—colorblindness. Attention is directed at the erasure of racism in fan accounts and then at its containment in what purports to be anti-racist discourse. Media literacy teachers need to equip students with the tools to recognize, engage, and challenge the (re)constructions of racial identities, ideologies, and hierarchies. The teaching of anti-racist media literacy must be rooted in a pedagogy that directs its attention toward the disruption of white supremacy as a structured social system.
道歉与辩护者:当代美国对种族主义的否定与对反种族主义的放弃
本文探讨了嘻哈乐队OutKast在2004年格莱美颁奖典礼上的表演以及辛辛那提红人队(Cincinnati Reds)前老板马吉·肖特(Marge Schott)之死引发的争议,以期勾勒出一种新形式的种族歧视——色盲的轮廓。人们的注意力集中在粉丝账号中对种族主义的抹除,然后是在所谓的反种族主义话语中对种族主义的遏制。媒体素养教师需要为学生提供认识、参与和挑战(重新)建构种族身份、意识形态和等级制度的工具。反种族主义媒体素养的教学必须植根于一种教学法,这种教学法将注意力集中在白人至上主义作为一种结构化的社会体系的破坏上。
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