“Debajo de la mierda”: The Subversive Dialogue Between Nicanor Parra and David Aniñir

Sandra Collins
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Abstract

This article explores the common quest of ecological preservation and physical continuity in the poetry of Nicanor Parra and David Aniñir Guiltraro. Both poets employ antipoetic strategies to explore the personal and social crises that are the themes of much of their work. Aniñir's Mapurbe aesthetic is a hybrid art form that simultaneously presents itself as a continuation and a rupture with traditional Mapuche literary forms, but it also is a testament to Aniñir's own commitment to the creation of a new poetics that transcends any grand narrative in keeping with Parra's antipoetic mission. Scatological and sexual imagery are often used in the deconstruction of language and societal institutions to emphasize the importance of spiritual freedom. The article concludes that the call for direct action in both poets' work stems from a desire to contest consumerist tendencies driven by the capitalist project in Chile. Reconnecting the physical with the spiritual outside the bounds of literary convention and social order, counters understandings of the world that have been heavily influenced by the Enlightenment.
本文探讨了Nicanor Parra和David Aniñir Guiltraro诗歌中对生态保护和物质连续性的共同追求。两位诗人都采用反诗的策略来探索个人和社会危机,这是他们大部分作品的主题。Aniñir的马普切美学是一种混合艺术形式,它同时表现为传统马普切文学形式的延续和断裂,但它也证明了Aniñir自己对创造一种超越任何宏大叙事的新诗学的承诺,与Parra的反诗使命保持一致。排泄物和性意象经常被用来解构语言和社会制度,以强调精神自由的重要性。文章的结论是,两位诗人的作品中对直接行动的呼吁,源于对智利资本主义计划所驱动的消费主义倾向的挑战。在文学传统和社会秩序的界限之外,将物质与精神重新联系起来,对抗了深受启蒙运动影响的对世界的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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