Poetic Vocation

G. Pattison
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Abstract

Like ethics, literature too is often envisaged as involving some kind of call or vocation. In lectures on Hölderlin, Heidegger provides a more positive account of calling than in Being and Time. Yet he remains unspecific as to what we are called to, and his account is therefore expanded with regard to its socio-political and theological dimensions, developed in the direct of a certain Messianism (Derrida, Caputo). This is further explored in terms of the relationship between prophecy and empire, focusing on the figure of Virgil, represented by Theodore Haecker as ‘father of the West’. In Hermann Broch’s novel The Death of Virgil, the poet epitomizes the transition from the classical world to Christianity and the relationship between poetry, empire, and messianism. This complex of ideas is seen as operative in the testimony of Ulrich Fentzloff, a parish priest whose blog gained national attention in Germany.
诗意的职业
像伦理学一样,文学也经常被设想为涉及某种召唤或职业。在Hölderlin的讲座中,海德格尔提供了一个比《存在与时间》更积极的关于召唤的描述。然而,他仍然没有具体说明我们被称为什么,因此,他的叙述在社会政治和神学方面得到了扩展,在某种弥赛亚主义的直接发展(德里达,卡普托)。这在预言与帝国的关系方面进行了进一步的探讨,重点是维吉尔的形象,以西奥多·海克为代表的“西方之父”。在赫尔曼·布洛赫的小说《维吉尔之死》中,这位诗人集中体现了从古典世界到基督教世界的转变,以及诗歌、帝国和弥赛亚主义之间的关系。在乌尔里希·芬茨洛夫(Ulrich Fentzloff)的证词中,这种复杂的想法被认为是有效的。芬茨洛夫是一位教区牧师,他的博客在德国引起了全国的关注。
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