Alone in Sci-Fi: The Impossibility of Oneness in Blade Runner 2049 and Empire of the Senseless

Yasmina Jaksic
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Abstract

As McLuhan prophesized, the new mediums of electric and communicative technology are no longer separate from the human body and have become rather an extension of body and a reflection of contemporary overloaded minds. Anxieties about technological autonomy steadily increase as artificial intelligences strive towards singularity as the boundaries between human and nonhuman become increasingly indistinguishable. Interestingly however, in Denis Villeneuve’s Blade Runner 2049 (2017) and Kathy Acker’s Empire of the Senseless (1988), it is not the fear of technological singularity that fuels the narratives, but rather a fear of insurmountable governmental power that utilizes technology to come into direct and unmediated contact with life—further splintering and thus shattering attempts at community building.   Yasmina Jaksic is an English PhD candidate at York University. Her doctoral research focuses on contemporary Asian-Anglophone Cultures and Literatures of diaspora and double-consciousness.   
科幻中的孤独:《银翼杀手2049》和《无意义帝国》中的不可能的统一
正如麦克卢汉所预言的那样,电子和通信技术的新媒介不再与人体分离,而是成为身体的延伸和当代超负荷思维的反映。随着人工智能努力向奇点发展,人类和非人类之间的界限变得越来越难以区分,人们对技术自主的焦虑也在稳步增加。然而有趣的是,在丹尼斯·维伦纽夫的《银翼杀手2049》(2017)和凯西·阿克的《无意义帝国》(1988)中,推动叙事的不是对技术奇点的恐惧,而是对无法克服的政府权力的恐惧,这种权力利用技术与生活进行直接和无媒介的接触——进一步分裂,从而粉碎了社区建设的尝试。Yasmina Jaksic是约克大学英语博士候选人。她的博士研究主要集中在当代亚洲-英语国家的文化和散居和双重意识的文学。
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