In-Between: Children as Performers

Melissa da Silva Ferreira, Lucy-Lou Marino, Gold Ray Martin, Todd Martin
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Abstract

In January 2020, I spoke with Lucy-Lou Marino, Gold Ray Martin, and Todd Roosevelt Martin about their experiences as performers in “As deep as I could remember, as far as I could see”, a performance by Swedish-Palestinian artist Tarik Kiswanson for Performa 19 Biennial (New York, November 2019). The interview was conducted through a card game to encourage them to think, talk about, and reenact their participation in the performance. From the recordings of this “performative interview,” this video-article creates a fictional dialogue between the children performers, the artist, and the Martiniquan writer, poet, and philosopher Edouard Glissant, whose “Poetique de la Relation” is a major influence on Kiswanson’s artistic work. Immigration, exile, relation, poetry, identity, and language emerge from the crossing of voices, images, and writings captured in New York City at different times and contexts.
中间:儿童作为表演者
2020年1月,我采访了露西-卢·马里诺、戈尔德·雷·马丁和托德·罗斯福·马丁,讲述了他们在瑞典裔巴勒斯坦艺术家塔里克·斯旺森为第19届双年展(纽约,2019年11月)举办的表演“尽我所能记得,尽我所能看到”中作为表演者的经历。采访通过纸牌游戏进行,鼓励他们思考、谈论和重现他们参与演出的过程。从这个“表演采访”的录音中,这篇视频文章创造了一个儿童表演者、艺术家和马提尼泉作家、诗人和哲学家爱德华·格里桑特之间的虚构对话,他的《关系诗》对斯旺森的艺术作品产生了重大影响。移民、流亡、关系、诗歌、身份和语言从不同时间和背景下在纽约市捕获的声音、图像和文字的交叉中浮现出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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