Philosophy and Psychology in the Styles of Architecture and Environmental Design of the Late 19th- 21st Centuries

Marina E. Vengerova
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Abstract

Within the framework of training programs at the Moscow Institute of Architecture (State Academy), the tasks of brief illumination and explanation of the system of changing architectural and design styles of XIX-XXI centuries are set. Ignace Meyerson (1888-1983) in his writings showed that the work of creativity is a reflection of the psychology of the author. This statement formed the basis for choosing the angle of view, under which it was decided to consider a variety of stylistic trends. Namely, various psychological approaches, such as practicalism, laconism and "romantic dreams", have allowed us to systematize many trends of the last century and a half to three groups. This simplified systematization allows students to easily use them in their project activities. The division into three groups reveals the deep meanings of the psychological and philosophical foundations, to formulate the goals and tasks facing the architect, designer and customer.
19世纪末至21世纪建筑与环境设计风格中的哲学与心理学
在莫斯科建筑学院(国立学院)的培训计划框架内,设置了简要说明和解释19 - 21世纪不断变化的建筑和设计风格的系统的任务。伊格纳斯·迈耶森(Ignace Meyerson, 1888-1983)在其著作中指出,作品的创造性是作者心理的反映。这一陈述构成了选择视角的基础,在此基础上决定考虑各种风格趋势。也就是说,各种各样的心理学方法,如实用主义、简洁主义和“浪漫梦”,使我们能够将过去一个半世纪的许多趋势系统化为三大类。这种简化的系统化使学生能够在他们的项目活动中轻松地使用它们。划分为三组揭示了心理学和哲学基础的深层含义,以制定建筑师,设计师和客户面临的目标和任务。
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